All levels welcome

Drop into the unique context of kiln atmospheres! Pack up your bisque wares and we’ll dive into how clay-bodies, glazes, forms and the intentions of the maker interact with firings in soda, wood, raku, and pit kilns. Double-over-head demonstrations, lectures, and hands-on participation for five exciting days. This rad and rare experience places the magic of kiln atmospheres and cooperation within the chill beauty of the Catskills. Totally remember to breathe.

Bruce Dehnert received his BA in English at the University of Montana and MFA in Ceramics at Alfred University. Beginning his career as a production potter in Macon, Georgia, Dehnert has taught at universities in New York City, Massachusetts, New Zealand, and on the Island of Borneo. He is a member of the International Academy of Ceramics and currently is Head of Ceramics at Sugar Maples Center for Creative Arts.

Steve Cook, a rock steady superintendent of vivid foreign immersives, received his MFA in Film from CalArts. A beloved teacher at Francis Parker School in San Diego, he oversaw a rambunctious ceramics department, foreign travel program, and the School’s Gun Club. Besides being a potter and sculptor, for many years Cook served as a martial arts consultant to numerous Hollywood and indie films.

Fee: $770 (Course Fee: $600 + Lab Fee: $130 + Non-Refundable Registration Fee: $40)

Some throwing experience needed

In this workshop we’ll cultivate slow throwing, Jess’s boundary-pushing techniques for building large scale volumes on the wheel. We’ll throw, coil, and continue throwing, moving back and forth within the space between the wheel, handwork, and altered forms to grow the scale of our vessels and diverse approaches to our work. By abandoning traditional boundaries between throwing and hand building, function and sculpture, decoration and necessity, we’ll embrace the territories between and beyond categories and what we believe is possible.

Jess Thompson is an artist, teacher, and mother. She co-directs Cider Creek Collective, a ceramic arts residency near Mendocino, CA, with her husband, potter Nick Schwartz. They focus on building connections to the land through natural local materials, wood firing, and strong community. Jess’s upbringing in a family of midwestern industrial ceramicists and two decades among back-to-the-landers in Northern California have fostered belief in the radical integrity of handwork and carrying old skills forward amidst a technocratic world order.

Fee: $660 (Course Fee: $550 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

All levels welcome

This course is designed to encourage students to lean into the history of ceramics and to explore ways to utilize historical forms as inspiration for new work. During this innovative workshop the throwing class, with instructor Suze Lindsay, will be collaborating with the hand-building class, taught by Margaret Bohls. Suze and Margaret will share their own deep pools of historical inspiration through brief and entertaining lectures to kindle purpose and intention. Students are invited to bring images of historical works that inspire them. Working on wheels and tabletops, we will explore strategies and techniques for creating functional pots. Conversations and demonstrations will help students create dynamic forms and explore approaches to surface using texture, carving, and a variety of slip decoration techniques. There will be a bisque firing.

Margaret Bohls makes pottery and vessel forms that are inspired and informed by a study of historical ceramics and other decorative arts. She has an abiding interest in the vernacular language of utilitarian forms, with an emphasis on the ways in which process and material can communicate abstract ideas. Bohls has been teaching ceramics at the college level for 30 years. Her teaching interests include the history of ceramics and clay and glaze formulation.

Fee: $655 (Course Fee: $550 + Lab Fee: $65 [includes first bag of clay] + Non-Refundable Registration Fee: $40)