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Five Days with Adjectives

with John & Andrea Gill

Next session: July 3rd to 7th, 2026

$710 More Info

All levels welcome

Nothing could be better for the ways you think about your art than spending the 250th anniversary of the 4th of July with these two renowned and remarkable artists. This workshop will mark a moment in your life as an artist because as teaching artists Andrea and John exemplify ways of bringing contemporary and historical weight to concepts, problem solving, and unique perspectives. Working with a blend of focused spontaneity and predetermination, both artists exude unique gifts for communicating what that process looks like. No one leaves the studio without their trajectory in thinking and creating altered. Learn unique hand-building techniques, surface development, decoration, painting, and most importantly how to gather your ideas and new skills around one purpose: YOUR VOICE.

The Gills are both leaders in American ceramics because of their groundbreaking work and abilities to teach, guide, and support others in their own creative quests. Using focused spontaneity and predetermination, both artists exude unique gifts for communicating what a creative process can look like. There will be demonstrations, discussions, hands-on exercises, and heaps of individual attention.

Fee: $710 (Course Fee: $600 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

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Drawing the Alphabet

with Cyrus Highsmith

Next session: July 24th to 25th, 2026

$305 More Info

All levels welcome

The letters of the alphabet can be a foundation as well as a place for experimentation. Using a fascinating series of hands-on and messy exercises developed by this award-winning instructor, students will explore non-traditional ways of making marks, generating letters, and inventing pictorial narratives. These methods can be applied to designing typefaces, adding new dimensions to calligraphic practice, creating personalized fonts, and even lead to unique ways of observing our world.

Cyrus Highsmith is a letter drawer, teacher, author, and graphic artist. He teaches type design at Rhode Island School of Design (RISD). He wrote and illustrated the acclaimed primer Inside Paragraphs: Typographic Fundamentals. In 2015, he received the Gerrit Noordzij Prize for extraordinary contributions to the fields of type design, typography, and type education. In 2017, he became Creative Director for Latin Type.

Fee: $305 (Course Fee: $220 + Lab Fee: $45 + Non-Refundable Registration Fee: $40)

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Flat to Functional: Slab Built Pottery Forms

with Jen Allen

Next session: July 24th to 28th, 2026

$650 More Info

All levels welcome

Using some of my hand-building templates as a starting point, students will learn how to design and create their own templates while transforming flat clay slabs into functional pottery forms. This class focuses on form development, template-making, surface texture, and thoughtful assembly/alteration techniques. Students will gain practical strategies for translating ideas into repeatable forms, strengthening problem-solving skills, and building confidence in slab construction.

Jen Allen is a studio potter, educator, and mother based in Morgantown, West Virginia. When she's not creating pottery, teaching, or designing templates, you’ll likely find her in the woods with her pup Margot, or at the hockey rink, cheering on her kids' teams.

Fee: $650 (Course Fee: $550 + Lab Fee: $60 [first bag of clay included] + Non-Refundable Registration Fee: $40)

Waiting list available
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Visible Mending

with Megan Piontkowski

Next session: June 19th to 21st, 2026

$420 More Info

All levels welcome

Visible mending not only makes our clothing unique and extends wear, but it also lets others know that we have fixed our clothes. This visible alteration carries meaning in a fascinating number of ways. At the very least, mending can communicate personal aesthetics and care. It might even inspire others to take up mending as well! Students will learn a variety of mending techniques that will excite the senses and expand on how fashion can be made personal.

Megan Piontkowski is an artist and illustrator living in Brooklyn, NY. She earned a BFA from Montclair State University, and her MFA in Painting and Drawing from Brooklyn College. Her book, Feminist Ships, celebrates the lives and achievements of women sailors. Piontkowski discovered visible mending a few years ago and has been off to the races ever since.

Fee: $420 (Course Fee: $330 + Lab Fee: $50 + Non-Refundable Registration Fee: $40)

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Stained Glass for Beginners

with Lisa Gnos

Next session: August 21st to 23rd, 2026

$420 More Info

All levels welcome

During this dynamic workshop students will learn different techniques of the art of stained-glass. Starting with a small 5-piece project without borders, students will learn how to cut, grind, foil, and solder stained-glass. Students will design and create a larger project learning how to set size and fit pieces together properly. The goal is to have fun and take home two beautiful projects!

Lisa Gnos has been an artist working with stained-glass for over 25 years. Her passions to create and teach have led to owning her own studio. Gnos’ practice includes repairing church windows, custom jobs, mosaics, and fusing glass in kilns. She enjoys repairing and painting antique clock dials, hiking, kayaking and working for a local dentist as an RDH. 

Fee: $420 (Course Fee: $330 + Lab Fee: $50 + Non-Refundable Registration Fee: $40)

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Carve Your Story: Relief Printing Workshop

with Martin Kruck

Next session: August 7th to 8th, 2026

$310 More Info

All levels welcome

Join us for a hands-on introduction to Relief Printing. While always visceral, this printmaking process is conducive to personal approaches as varied as high detail or free flowing. Learn exciting techniques for carving designs and imagery into linoleum blocks and how to print your unique artworks. Explore personal imagery and storytelling along with the fathomless possibilities and qualities this tactile process provides. Perfect for beginners and/or artists looking to enliven and expand their practice.

Martin Kruck’s artwork has been featured in 25 solo exhibitions and in over 100 group exhibitions in Germany, Estonia, United Kingdom, Northern Ireland (UK), and the United States. He has received artists grants from the National Endowment for the Arts, the New York State Council on the Arts, the Connecticut Commission on the Arts, and the Mid Atlantic Arts Foundation. He is a Professor of Art/Printmaking at Kean University Jersey City.  

Fee: $310 (Course Fee: $220 + Lab Fee: $50 + Non-Refundable Registration Fee: $40)

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3D Embroidery: Things That Go Buzz

with Deborah Simon

Next session: July 17th to 19th, 2026

$390 More Info

All levels welcome

The Catskills are alive with nature. Learn embroidery and sculpt those complex, buzzy, harbingers of summer. And while we might not want to admit this, bugs are among our most important cousins on this planet. As you know, they do a lot for us. Now let’s do something for them! Students will learn to create wings embroidered on fabric and wire and then sculpt them into an insect body to create a three-dimensional sculpture of the beautiful, sometimes annoying, invertebrate. Students will be taught basic and complex embroidery techniques. There will be fun discussions and demonstrations on how to analyze the subject matter and then create a strategy for sculpting the object. This workshop is perfect for those who want to learn embroidery and for those who want to sculpt.

Deborah Simon’s art focuses on humanity’s discordant relationship with animals. Her sculptures and paintings of animals have been exhibited around the world. She has received numerous fellowships including the Chulitna Lodge Creative Summer Residency, Vermont Studio Center, Saint Ann’s Warehouse Puppet Lab, Sculpture Space, Marie Walsh Sharpe Space Program and the Cultural Space Subsidy Program. She has received grants from the Ruth and Harold Chenven Foundation, the Ludwig Vogelstein Foundation and NYSCA. Following studies at the Repin Institute of Art in Leningrad, USSR, Simon received a BFA from the San Francisco Art Institute and MFA from New York’s School of Visual Arts.

Fee: $390 (Course Fee: $300 + Lab Fee: $50 + Non-Refundable Registration Fee: $40)

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Exploring the Moon Jar

with Sophie Kang Min Yoon

Next session: July 10th to 14th, 2026

$670 More Info

Some throwing experience necessary

Upon arriving at our beautiful studio, roll up your sleeves and get ready to dive into the worlds of the Moon jar and Tsubo jar, both important vanguards of ceramic history. This workshop will be a great opportunity to expand your wheel-throwing skills, achieving spherical forms through technique and shaping strategies. We’ll start with small volumes and find our way to larger sectional throwing/building. Rims, bases, and trimming will be important aspects of our exploration. To top off the week there will be a salt firing that offers students the experience of utilizing glazes that accentuate these voluptuous forms.

Sophie Kang Min Yoon is a first-generation Korean American ceramic artist from Queens, NY. She received her BA in art education with a studio art concentration in ceramics from CUNY Queens College. She has taught art within the NYC public school system and has assisted workshops at numerous studios in the metropolitan area. She has been employed as a ceramic technician, studio manager, and production potter. In 2025 Yoon established Long Island Clay - Ceramics Studio in Huntington, New York.  

Fee: $670 (Course Fee: $550 + Lab Fee: $80 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

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The Big Burn

with Bruce Dehnert and Steve Cook

Next session: August 28th to September 1st, 2026

$770 More Info

All levels welcome

Drop into the unique context of kiln atmospheres! Pack up your bisque wares and we’ll dive into how clay-bodies, glazes, forms and the intentions of the maker interact with firings in soda, wood, raku, and pit kilns. Double-over-head demonstrations, lectures, and hands-on participation for five exciting days. This rad and rare experience places the magic of kiln atmospheres and cooperation within the chill beauty of the Catskills. Totally remember to breathe.

Bruce Dehnert received his BA in English at the University of Montana and MFA in Ceramics at Alfred University. Beginning his career as a production potter in Macon, Georgia, Dehnert has taught at universities in New York City, Massachusetts, New Zealand, and on the Island of Borneo. He is a member of the International Academy of Ceramics and currently is Head of Ceramics at Sugar Maples Center for Creative Arts.

Steve Cook, a rock steady superintendent of vivid foreign immersives, received his MFA in Film from CalArts. A beloved teacher at Francis Parker School in San Diego, he oversaw a rambunctious ceramics department, foreign travel program, and the School’s Gun Club. Besides being a potter and sculptor, for many years Cook served as a martial arts consultant to numerous Hollywood and indie films.

Fee: $770 (Course Fee: $600 + Lab Fee: $130 + Non-Refundable Registration Fee: $40)

Waiting list available
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Easier Ways to Make Representational Art

with Betsy Jacks

Next session: July 31st to August 2nd, 2026

$430 More Info

All levels welcome

In this hands-on workshop, Betsy demonstrates how to bypass the frustrating parts of making representational art using simple methods she has developed to make the process fun. Participants will learn how to transfer a basic sketch, make it look "realistic" right away by introducing the darkest darks, simplify what you see, and choose the most dominant colors. Participants will leave with their completed painting plus easy-to-follow methods for continuing their journey. All levels are welcome, from novice to expert. Tools and materials will be provided.

Betsy Jacks is a Hudson Valley-based visual artist. She grew up in New York City and was Director of Marketing for the Whitney Museum of American Art. For two decades she was the Executive Director of the Thomas Cole National Historic Site — an art museum and home of the 19th-century landscape painter. She has won numerous awards, including New York State Museums Individual Achievement Award of Distinction. Her work has been exhibited widely and is in the collection of the Albany Institute.

Fee: $430 (Course Fee: $330 + Lab Fee: $60 + Non-Refundable Registration Fee: $40)