All levels welcome

For as long as ceramists have engaged in wood-firing, its age-old customs and practices have been examined and evolved. Together we will fire “Julia,” our new Train Kiln, to high temperature and then cool the kiln in reduction in search of iron red surfaces. Students will arrive with bisque wares made with stoneware or iron rich clay-bodies. We will use applied slips and raw clays to maximize deep surface effects. This dynamic workshop will feature demonstrations and discussions about kiln design and firing processes that maximize aesthetic options when using wood as both fuel and partner in the creative process. This is a unique opportunity to study with one of the principal innovators of “reduction cooling”.

Daniel Murphy is a studio artist and professor teaching ceramics at Utah State University. Murphy began using local clays and then built and successfully fired his first wood kiln while pursuing his undergraduate degree. He has built and fired kilns all over the world and continues to discover something new each time he does so. Murphy has a passion for sharing what he has learned from these experiences.

Fee: $760 (Course Fee: $600 + Lab Fee: $120 [includes one bag of stoneware clay] + Non-Refundable Registration Fee: $40)

All levels welcome

This course is designed to encourage students to lean into the history of ceramics and to explore ways to utilize historical forms as inspiration for new work. During this innovative workshop the throwing class, with instructor Suze Lindsay, will be collaborating with the hand-building class, taught by Margaret Bohls. Suze and Margaret will share their own deep pools of historical inspiration through brief and entertaining lectures to kindle purpose and intention. Students are invited to bring images of historical works that inspire them. Working on wheels and tabletops, we will explore strategies and techniques for creating functional pots. Conversations and demonstrations will help students create dynamic forms and explore approaches to surface using texture, carving, and a variety of slip decoration techniques. There will be a bisque firing.

Suze Lindsay is a studio potter in North Carolina. Her formal training started as a CORE fellow at Penland School of Craft, followed by earning an MFA from LSU. After completing 3 years in Penland’s artist-in-residence program, she established Fork Mountain Pottery with partner and fellow potter, Kent McLaughlin. She has presented workshops and lectures nationally and internationally. Suze strives to make pots that are good companions for daily use. “I make pots that entice the user to take pleasure in everyday activities, inviting participation, promoting hospitality.”

Fee: $655 (Course Fee: $550 + Lab Fee: $65 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

Some throwing experience needed

Students will learn how to throw, alter and assemble pottery out of round. Objectives include being more comfortable altering forms, a further understanding of utility, and an iterative process of developing shapes. Emphasis will be given to asymmetry, stamping, and dynamic attachments. Students will learn how to alter pots at different stages, from wet to bone dry, as well as creating compositions and unified surface. Students should have a basic knowledge of throwing, as well as a willingness to experiment with their work.

Ray Brown was born in Houston, Texas, and earned a BFA with Honors from the University of Mississippi under Matt Long. He earned his MFA in studio art with emphasis in ceramics at West Virginia University. While at WVU, Brown studied with Shoji Satake, Boomer Moore, Jen Allen, and Jeff Moser. He is currently an Instructor and Studio Technician at the University of Mississippi.  

Fee: $660 (Course Fee: $550 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

All levels welcome

Nothing could be better for the ways you think about your art than spending the 250th anniversary of the 4th of July with these two renowned and remarkable artists. This workshop will mark a moment in your life as an artist because as teaching artists Andrea and John exemplify ways of bringing contemporary and historical weight to concepts, problem solving, and unique perspectives. Working with a blend of focused spontaneity and predetermination, both artists exude unique gifts for communicating what that process looks like. No one leaves the studio without their trajectory in thinking and creating altered. Learn unique hand-building techniques, surface development, decoration, painting, and most importantly how to gather your ideas and new skills around one purpose: YOUR VOICE.

The Gills are both leaders in American ceramics because of their groundbreaking work and abilities to teach, guide, and support others in their own creative quests. Using focused spontaneity and predetermination, both artists exude unique gifts for communicating what a creative process can look like. There will be demonstrations, discussions, hands-on exercises, and heaps of individual attention.

Fee: $710 (Course Fee: $600 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

All levels welcome

Using some of my hand-building templates as a starting point, students will learn how to design and create their own templates while transforming flat clay slabs into functional pottery forms. This class focuses on form development, template-making, surface texture, and thoughtful assembly/alteration techniques. Students will gain practical strategies for translating ideas into repeatable forms, strengthening problem-solving skills, and building confidence in slab construction.

Jen Allen is a studio potter, educator, and mother based in Morgantown, West Virginia. When she's not creating pottery, teaching, or designing templates, you’ll likely find her in the woods with her pup Margot, or at the hockey rink, cheering on her kids' teams.

Fee: $650 (Course Fee: $550 + Lab Fee: $60 [first bag of clay included] + Non-Refundable Registration Fee: $40)