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Introduction to Cyanotype

with Bryan Whitney

Next session: June 20th to 21st, 2026

$445 More Info

All levels welcome

We will learn how to make cyanotypes directly from nature and objects using the beautiful yet simple 19th century printing process. Plants and objects are placed directly on paper that has been coated with the cyanotype solution and is then exposed by sunlight and simply developed in water. Students will use pre-coated paper and learn how to hand coat fine art paper to achieve exquisite prints. The process is fun, organic, and open to all levels. No previous photography experience is required.

Bryan Whitney is a fine art photographer in New York who specializes in alternative techniques from x-rays to lens-free imaging and cyanotype printing. He has exhibited widely and teaches at the International Center of Photography, Penumbra and other locations.

Fee: $435 (Course Fee: $330 + Lab Fee: $75 + Non-Refundable Registration Fee: $40)

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Exploring Amaco Mid-Range Glazes

with Cory Brown

Next session: August 15th to 16th, 2026

$235 More Info

All levels welcome

With generous support from AMACO, join glaze designer Cory Brown for a hands-on workshop exploring AMACO’s amazing range of cone 5–6 glazes. From fan favorites like Potters Choice to exciting new lines, Cosmos and Phase, this is a unique opportunity to experiment, learn, and play with color and surface.  For the first half of Day One, Brown will give an overview of AMACO’s glaze families through a guided presentation and demos on reading glaze labels, layering effects, and application. Students will glaze their bisque-fired tiles using a wide selection of AMACO samples—many of which will remain in the studio for continued exploration on Day Two. Cory will teach during the morning of Day One, and Studio Techs will assist students and conduct the second firing on Day Two. All levels are welcome.

Cory Brown is a ceramic artist based in New York City. Committed to his career in ceramics from an early age, Cory refined his craft through artist residencies, ceramics tech roles, and a formative teaching opportunity in India. After earning an MFA from Alfred University, Cory has worked full-time developing new glazes for AMACO. He maintains a healthy art-making practice focused on experimental ceramics. His recent work with glaze foam explores a collaboration with the unpredictable nature of ceramic phenomena, embracing beautiful chaos.

Fee: $235 (Course Fee: $170 + Lab Fee: $25 + Non-Refundable Registration Fee: $40)

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Get a Handle on It: Stamps as Decorative Surface

with Rich Farrow

Next session: June 12th to 14th, 2026

$425 More Info

Some throwing experience useful

Among the many amazing facets of clay is that you can make tools with it. That’s one of the exciting techniques you’ll learn during this 3-day intensive. We’ll make 4 different kinds of clay stamps and then learn how to use them to create dynamic surfaces that are unique to your own ‘voice.’ We’ll also work on different styles of handles and do some fancy glazing. You’ll leave with stamps, glazed pots, bisqued pots and an interesting new approach.

A long-time potter in Pennsylvania, Rich Farrow received a BS degree in Mathematics from Moravian, and his MA in Mathematics from Villanova University. He was a journeyman carpenter for ten years and an analyst mathematician for thirty-four years before pursuing a nearly life-long passion for making pots.

Fee: $425 (Course Fee: $330 + Lab Fee: $55 [includes first bag of clay] + Non-refundable Registration Fee: $40)

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Cattail Weaving Intensive

with Renee Baumann

Next session: July 17th to 19th, 2026

$415 More Info

All levels welcome

This three-day workshop offers an immersive introduction to cattail weaving, you will be exposed to some of the various methods of working with this versatile native plant, then apply them to a larger project. Working in a supportive studio environment, you’ll receive hands-on instruction and individual support as you work on a project of your choice. Suitable for complete beginners as well as experienced makers interested in working more deeply with cattails. All materials provided.

Renee Baumann is a Catskills-based designer, chef, and nature enthusiast with a passion for wild plants and fungi. Trained as an architect and a chef, she brings a creative, interdisciplinary flair to everything she does—whether she’s weaving baskets from local plants, illustrating mushrooms in watercolor, or whipping up delicious meals from foraged ingredients. Renee teaches workshops and techniques working with local fibers, with an emphasis on creating three-dimensional forms from bioregional components. Her work varies from traditional basketry using cattail and willow to sculptural felt and spinning foraged fibers. Renee teaches workshops on identifying and cooking with plants and fungi growing in the Catskills. 

Fee: $415 (Course Fee: $330 + Lab Fee: $45 + Non-Refundable Registration Fee: $40)

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Writing as Collage

with Ric Royer

Next session: June 12th to 14th, 2026

$395 More Info

All levels welcome

This exciting writing workshop will use collage methods to open new avenues of thinking and create fresh material. Participants will explore writing through the tactile and conceptual process of cutting, pasting, and assembling disparate elements to construct textual collages that serve as prompts for their writing. This method generates unique juxtapositions (sometimes via chance operation) and helps writers reflect on their own stories from multiple perspectives. The techniques explored in this workshop are often associated with non-traditional forms of writing like cut ups and chance operations and can easily be used to unlock new directions in any form of writing, prose or poetry, traditional or experimental. Writing As Collage is a writing workshop but is open to artists of all disciplines.

Ric Royer is a writer of performance and a performer of writing. His latest book, Niagara Falls, NY was published by Pig Roast Publishing in 2023. You can listen to him every second Thursday of the month on WGXC Wave Farm Radio with his music collaborator G Lucas Crane. Their show, Suddering Words, is an improvised mashup of various radio show formats, noise and sound poetry, resulting in unlistenable chaos.

Fee: $395 (Course Fee: $330 + Lab Fee: $25 + Non-Refundable Registration Fee: $40)

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Everybody Must Get Stonewared … Again

with Doug Peltzman

Next session: July 24th to 28th, 2026

$660 More Info

Some throwing experience needed

“I love making functional pottery for daily use, every aspect of the process is an opportunity to dig deep. I believe pots can be a powerful conduit for human connection, convey a sense of comfort, curiosity, and play. My choice of clay and glaze are hyper-intentional. The arrangement of slip/glaze, idiosyncratic marks, leaf motifs, horizon lines, circles, and grids represent my interest in seeing the world through a filtered lens, allowing my taste and experiences to bleed into my work. This approach helps to shift perceptions about what pottery can be; a profoundly soulful way to build relationships through a simple pot”. The workshop will include demonstrations, discussions, and a Cone 10 reduction firing.

Doug Peltzman was born in New York City and raised on Long Island. Having a voracious appetite for risk, being a skateboarder and artist, Peltzman has been making pots since 2003 and painting and drawing his entire life. After graduating with his MFA from Penn State, he established a pottery studio in Shokan, NY. He has taught workshops throughout the country, was a founding member of Objective Clay (2012-2021), and is one of the principal creators of the successful Hudson Valley Pottery Tour. Doug is a dedicated husband, full-time studio potter, and father of three superbly talented and cheerful children.

Fee: $660 (Course Fee: $550 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

Waiting list available
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Five Days with Adjectives

with John & Andrea Gill

Next session: July 3rd to 7th, 2026

$710 More Info

All levels welcome

Nothing could be better for the ways you think about your art than spending the 250th anniversary of the 4th of July with these two renowned and remarkable artists. This workshop will mark a moment in your life as an artist because as teaching artists Andrea and John exemplify ways of bringing contemporary and historical weight to concepts, problem solving, and unique perspectives. Working with a blend of focused spontaneity and predetermination, both artists exude unique gifts for communicating what that process looks like. No one leaves the studio without their trajectory in thinking and creating altered. Learn unique hand-building techniques, surface development, decoration, painting, and most importantly how to gather your ideas and new skills around one purpose: YOUR VOICE.

The Gills are both leaders in American ceramics because of their groundbreaking work and abilities to teach, guide, and support others in their own creative quests. Using focused spontaneity and predetermination, both artists exude unique gifts for communicating what a creative process can look like. There will be demonstrations, discussions, hands-on exercises, and heaps of individual attention.

Fee: $710 (Course Fee: $600 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

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Drawing the Alphabet

with Cyrus Highsmith

Next session: July 24th to 25th, 2026

$305 More Info

All levels welcome

The letters of the alphabet can be a foundation as well as a place for experimentation. Using a fascinating series of hands-on and messy exercises developed by this award-winning instructor, students will explore non-traditional ways of making marks, generating letters, and inventing pictorial narratives. These methods can be applied to designing typefaces, adding new dimensions to calligraphic practice, creating personalized fonts, and even lead to unique ways of observing our world.

Cyrus Highsmith is a letter drawer, teacher, author, and graphic artist. He teaches type design at Rhode Island School of Design (RISD). He wrote and illustrated the acclaimed primer Inside Paragraphs: Typographic Fundamentals. In 2015, he received the Gerrit Noordzij Prize for extraordinary contributions to the fields of type design, typography, and type education. In 2017, he became Creative Director for Latin Type.

Fee: $305 (Course Fee: $220 + Lab Fee: $45 + Non-Refundable Registration Fee: $40)

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Flat to Functional: Slab Built Pottery Forms

with Jen Allen

Next session: July 24th to 28th, 2026

$650 More Info

All levels welcome

Using some of my hand-building templates as a starting point, students will learn how to design and create their own templates while transforming flat clay slabs into functional pottery forms. This class focuses on form development, template-making, surface texture, and thoughtful assembly/alteration techniques. Students will gain practical strategies for translating ideas into repeatable forms, strengthening problem-solving skills, and building confidence in slab construction.

Jen Allen is a studio potter, educator, and mother based in Morgantown, West Virginia. When she's not creating pottery, teaching, or designing templates, you’ll likely find her in the woods with her pup Margot, or at the hockey rink, cheering on her kids' teams.

Fee: $650 (Course Fee: $550 + Lab Fee: $60 [first bag of clay included] + Non-Refundable Registration Fee: $40)

Waiting list available
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Visible Mending

with Megan Piontkowski

Next session: June 19th to 21st, 2026

$420 More Info

All levels welcome

Visible mending not only makes our clothing unique and extends wear, but it also lets others know that we have fixed our clothes. This visible alteration carries meaning in a fascinating number of ways. At the very least, mending can communicate personal aesthetics and care. It might even inspire others to take up mending as well! Students will learn a variety of mending techniques that will excite the senses and expand on how fashion can be made personal.

Megan Piontkowski is an artist and illustrator living in Brooklyn, NY. She earned a BFA from Montclair State University, and her MFA in Painting and Drawing from Brooklyn College. Her book, Feminist Ships, celebrates the lives and achievements of women sailors. Piontkowski discovered visible mending a few years ago and has been off to the races ever since.

Fee: $420 (Course Fee: $330 + Lab Fee: $50 + Non-Refundable Registration Fee: $40)