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Visible Mending

with Megan Piontkowski

Next session: June 19th to 21st, 2026

$420 More Info

All levels welcome

Visible mending not only makes our clothing unique and extends wear, but it also lets others know that we have fixed our clothes. This visible alteration carries meaning in a fascinating number of ways. At the very least, mending can communicate personal aesthetics and care. It might even inspire others to take up mending as well! Students will learn a variety of mending techniques that can excite the senses and expand on how fashion can be made personal.

Megan Piontkowski is an artist and illustrator living in Brooklyn, NY. She earned a BFA from Montclair State University, and her MFA in Painting and Drawing from Brooklyn College. Her book, Feminist Ships, celebrates the lives and achievements of women sailors. Piontkowski discovered visible mending a few years ago and has been off to the races ever since.

Fee: $420 (Course Fee: $330 + Lab Fee: $50 + Non-Refundable Registration Fee: $40)

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Stained Glass for Beginners

with Lisa Gnos

Next session: August 21st to 23rd, 2026

$430 More Info

All levels welcome

During this dynamic workshop students will learn different techniques of the art of stained-glass. Starting with a small 5-piece project without borders, students will learn how to cut, grind, foil, and solder stained-glass. Students will design and create a larger project learning how to set size and fit pieces together properly. The goal is to have fun and take home two beautiful projects!

Lisa Gnos has been an artist working with stained-glass for over 25 years. Her passions to create and teach have led to owning her own studio. Gnos’ practice includes repairing church windows, custom jobs, mosaics, and fusing glass in kilns. She enjoys repairing and painting antique clock dials, hiking, kayaking and working for a local dentist as an RDH. 

Fee: $430 (Course Fee: $330 + Lab Fee: $60 + Non-Refundable Registration Fee: $40)

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Japanese Knotweed Craft: Biodesign, Stewardship & Ecosocial Practice

with Timothy Furstnau

Next session: August 15th to 17th, 2026

$415 More Info

All levels welcome

This workshop focuses on creative uses for itadori, aka “Japanese knotweed,” including dyes, marquetry, bio leather, and bio composites. Working with the Sugar Maples campus landscape, participants will get hands-on experience in biomaterials techniques. The Streambank research project focuses on non-chemical management methods and uses of the plant’s dried biomass to support ongoing ecological restoration. We will learn best practices for ecological stewardship that draw from both traditional and emerging fields. Agroecology, bio design, regenerative agriculture, biocultural restoration, alternative ecologies, and critical ethnobotany will be explored.

Timothy Furstnau is an artist, designer, and curator based in the Catskills of New York. He is co-founder of the studio FICTILIS, Museum of Capitalism, Writ Large festival of screen-based text art, and Hudson’s Toolshed Exchange tool lending library. He teaches circular economy and studio courses in the Integrated Design program at Parsons School of Design and leads workshops on art and ecology, biomaterials, and land stewardship at the residency project Deurendis.

Fee: $415 (Course Fee: $330 + Lab Fee: $45 + Non-Refundable Registration Fee: $40)

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Sculptural Felting

with Mallory Zontag

Next session: August 28th to 30th, 2026

$450 More Info

All levels welcome

Explore sculpting with wool felt during this workshop. Using the ancient technique of wet felting, you will learn how to sculpt wool into a multitude of natural and three-dimensional forms such as bowls and vessels, branches and coral, barnacles, undulating layers and more! Day one will be an introduction to wet felting, learning the history and the process while focusing on learning multiple techniques and creating a collection of samples. Day two we will work on felting bowls, hollow forms and how to apply thetechniques from day one to those forms. Day three will see you using all your newfound skills and techniques to design and create your own unique felt sculpture.

Mallory Zondag is an award-winning artist and artist educator living in New York. Exhibited internationally in solo and group shows, her work focuses on the natural world and how it relates to the physical body and human experience. She explores deeply personal and connective universal stories through the meditative and hands-on practices of wet felting, weaving, sculpting, and stitching, seeking to bring the ephemeral into physical being. The growth and decay of the natural world, the duality of discomfort and attraction we feel towards it, and humanity's place within this dichotomy informs her sculptures.

Fee: $450 (Course Fee: $330 + Lab Fee: $80 + Non-Refundable Registration Fee: $40)

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2D Studio: Independent Study

with Instructor TBD

Next session: July 1st to August 19th, 2026

$335 More Info

Skill Level: Beginner – Advanced

This course takes place in our beautiful, well-lit, dedicated 2D studio, designed specifically to inspire focus and creativity. This 8-week course is for artists of all levels. Each week, you will work on individual projects, moving from initial vision and foundational skills to material exploration and style refinement. Under guidance, you will navigate technical problem-solving, finalize a cohesive body of work, and participate in a final studio showcase. Whether you are a beginner or a seasoned artist, this supportive environment is designed to expand your vocabulary, polish your skills, and (re)discover your unique style.

Fee: $335 (Course Fee: $275 + Lab Fee: $20 + Non-Refundable Registration Fee: $40)

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Thrown and Altered: And Then Some

with Ray Brown

Next session: August 7th to 11th, 2026

$660 More Info

Some throwing experience needed

Students will learn how to throw, alter and assemble pottery out of round. Objectives include being more comfortable altering forms, a further understanding of utility, and an iterative process of developing form. Emphasis will be given to asymmetry, stamping, and dynamic attachments. Students will learn how to alter pots at different stages, from wet to bone dry, as well as creating compositions and unified surface. Students should have a basic knowledge of throwing, as well as a willingness to experiment with their work.

Ray Brown was born in Houston, Texas, and earned a BFA with Honors from the University of Mississippi under Matt Long. He earned his MFA in studio art with emphasis in ceramics at West Virginia University. While at WVU, Brown studied with Shoji Satake, Boomer Moore, Jen Allen, and Jeff Moser. He is currently an Instructor and Studio Technician at the University of Mississippi.  

Fee: $660 (Course Fee: $550 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

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Soda Firing and Glaze Layering Techniques

with Dallas Wooten

Next session: June 19th to 23rd, 2026

$670 More Info

All levels welcome

In this workshop, Wooten will demonstrate his glazing and soda firing approaches. Wooten will also discuss a rich variety of soda firing styles and techniques he has observed over the years. We will explore a variety of glazing and decorating techniques that work in tandem with the soda firing process to provide exciting results, with a bit more consistency. In addition, Wooten will demonstrate various wheel-throwing techniques and applicable soda-firing designs for pottery.

Dallas Wooten earned his BFA in Ceramics from Indiana University Southeast and his MFA from Ohio University. Wooten established Wooten Clayworks in 2020, which now resides in Hackettstown, New Jersey where he currently teaches and curates exhibitions and workshops. Recently, Wooten co-founded the Princeton Pottery Festival with Ben Carter and Eric Rempe.

Fee: $670 (Course Fee: $550 + Lab Fee $80 [includes first bag of clay] + Non-refundable Registration Fee: $40)

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Carve Your Story: Relief Printing Workshop

with Martin Kruck

Next session: August 7th to 8th, 2026

$310 More Info

All levels welcome

Join us for a hands-on introduction to Relief Printing. While always visceral, this printmaking process is conducive to personal approaches as varied as high detail or free flowing. Learn exciting techniques for carving designs and imagery into linoleum blocks and how to print your unique artworks. Explore personal imagery and storytelling along with the fathomless possibilities and qualities this tactile process provides. Perfect for beginners and/or artists looking to enliven and expand their practice.

Martin Kruck’s artwork has been featured in 25 solo exhibitions and in over 100 group exhibitions in Germany, Estonia, United Kingdom, Northern Ireland (UK), and the United States. He has received artists grants from the National Endowment for the Arts, the New York State Council on the Arts, the Connecticut Commission on the Arts, and the Mid Atlantic Arts Foundation. He is a Professor of Art/Printmaking at Kean University Jersey City.  

Fee: $310 (Course Fee: $220 + Lab Fee: $50 + Non-Refundable Registration Fee: $40)

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3D Embroidery: Things That Go Buzz

with Deborah Simon

Next session: July 17th to 19th, 2026

$390 More Info

All levels welcome

The Catskills are alive with nature. Learn embroidery and sculpt those complex, buzzy, harbingers of summer. And while we might not want to admit this, bugs are among our most important cousins on this planet. As you know, they do a lot for us. Now let’s do something for them! Students will learn to create wings embroidered on fabric and wire and then sculpt them into an insect body to create a three-dimensional sculpture of the beautiful, sometimes annoying, invertebrate. Students will be taught basic and complex embroidery techniques. There will be fun discussions and demonstrations on how to analyze the subject matter and then create a strategy for sculpting the object. This workshop is perfect for those who want to learn embroidery and for those who want to sculpt.

Deborah Simon’s art focuses on humanity’s discordant relationship with animals. Her sculptures and paintings of animals have been exhibited around the world. She has received numerous fellowships including the Chulitna Lodge Creative Summer Residency, Vermont Studio Center, Saint Ann’s Warehouse Puppet Lab, Sculpture Space, Marie Walsh Sharpe Space Program and the Cultural Space Subsidy Program. She has received grants from the Ruth and Harold Chenven Foundation, the Ludwig Vogelstein Foundation and NYSCA. Following studies at the Repin Institute of Art in Leningrad, USSR, Simon received a BFA from the San Francisco Art Institute and MFA from New York’s School of Visual Arts.

Fee: $390 (Course Fee: $300 + Lab Fee: $50 + Non-Refundable Registration Fee: $40)

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Exploring the Moon Jar

with Sophie Kang Min Yoon

Next session: July 10th to 14th, 2026

$670 More Info

Some throwing experience necessary

Upon arriving at our beautiful studio, roll up your sleeves and get ready to dive into the worlds of the Moon jar and Tsubo jar, both important vanguards of ceramic history. This workshop will be a great opportunity to expand your wheel-throwing skills, achieving spherical forms through technique and shaping strategies. We’ll start with small volumes and find our way to larger sectional throwing/building. Rims, bases, and trimming will be important aspects of our exploration. To top off the week there will be a salt firing that offers students the experience of utilizing glazes that accentuate these voluptuous forms.

Sophie Kang Min Yoon is a first-generation Korean American ceramic artist from Queens, NY. She received her BA in art education with a studio art concentration in ceramics from CUNY Queens College. She has taught art within the NYC public school system and has assisted workshops at numerous studios in the metropolitan area. She has been employed as a ceramic technician, studio manager, and production potter. In 2025 Yoon established Long Island Clay - Ceramics Studio in Huntington, New York.  

Fee: $670 (Course Fee: $550 + Lab Fee: $80 [includes first bag of clay] + Non-Refundable Registration Fee: $40)