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Thrown and Altered: And Then Some

with Ray Brown

Next session: August 7th to 11th, 2026

$660 More Info

Some throwing experience needed

Students will learn how to throw, alter and assemble pottery out of round. Objectives include being more comfortable altering forms, a further understanding of utility, and an iterative process of developing shapes. Emphasis will be given to asymmetry, stamping, and dynamic attachments. Students will learn how to alter pots at different stages, from wet to bone dry, as well as creating compositions and unified surface. Students should have a basic knowledge of throwing, as well as a willingness to experiment with their work.

Ray Brown was born in Houston, Texas, and earned a BFA with Honors from the University of Mississippi under Matt Long. He earned his MFA in studio art with emphasis in ceramics at West Virginia University. While at WVU, Brown studied with Shoji Satake, Boomer Moore, Jen Allen, and Jeff Moser. He is currently an Instructor and Studio Technician at the University of Mississippi.  

Fee: $660 (Course Fee: $550 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

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Five Days with Adjectives

with John & Andrea Gill

Next session: July 3rd to 7th, 2026

$710 More Info

All levels welcome

Nothing could be better for the ways you think about your art than spending the 250th anniversary of the 4th of July with these two renowned and remarkable artists. This workshop will mark a moment in your life as an artist because as teaching artists Andrea and John exemplify ways of bringing contemporary and historical weight to concepts, problem solving, and unique perspectives. Working with a blend of focused spontaneity and predetermination, both artists exude unique gifts for communicating what that process looks like. No one leaves the studio without their trajectory in thinking and creating altered. Learn unique hand-building techniques, surface development, decoration, painting, and most importantly how to gather your ideas and new skills around one purpose: YOUR VOICE.

The Gills are both leaders in American ceramics because of their groundbreaking work and abilities to teach, guide, and support others in their own creative quests. Using focused spontaneity and predetermination, both artists exude unique gifts for communicating what a creative process can look like. There will be demonstrations, discussions, hands-on exercises, and heaps of individual attention.

Fee: $710 (Course Fee: $600 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

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Drawing the Alphabet

with Cyrus Highsmith

Next session: July 24th to 25th, 2026

$305 More Info

All levels welcome

The letters of the alphabet can be a foundation as well as a place for experimentation. Using a fascinating series of hands-on and messy exercises developed by this award-winning instructor, students will explore non-traditional ways of making marks, generating letters, and inventing pictorial narratives. These methods can be applied to designing typefaces, adding new dimensions to calligraphic practice, creating personalized fonts, and even lead to unique ways of observing our world.

Cyrus Highsmith is a letter drawer, teacher, author, and graphic artist. He teaches type design at Rhode Island School of Design (RISD). He wrote and illustrated the acclaimed primer Inside Paragraphs: Typographic Fundamentals. In 2015, he received the Gerrit Noordzij Prize for extraordinary contributions to the fields of type design, typography, and type education. In 2017, he became Creative Director for Latin Type.

Fee: $305 (Course Fee: $220 + Lab Fee: $45 + Non-Refundable Registration Fee: $40)

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Wild Color Workshop

with Lou Thorne

Next session: August 14th to 16th, 2026

$420 More Info

All levels welcome

This workshop offers an introduction to the practice of finding color within our immediate landscape. We'll explore Sugar Maples’ vibrant landscape to find wild materials suitable for artist pigments, engage in ethical foraging, and learn to process these materials into art supplies. We will cover a variety of methods and outcomes, including dye, ink, paint, laking, and more, guided by participant interest and available materials.

Lou Thorne is a multidisciplinary artist and pigment worker. Her current practice focuses on collaborations with hyper-local materials typically considered invasive, excessive, or otherwise undesired. She lives in the Oblong Valley (Mohican, Munsee Lenape, and Schaghticoke lands).

Fee: $420 (Course Fee: $330 + Lab Fee: $50 + Non-Refundable Registration Fee: $40)

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Weekly Hand-Building Ceramics (Wednesdays)

with Instructor TBD

Next session: July 1st to August 19th, 2026

$385 More Info

Skill Level:  Beginner – Advanced

Using clay to create pottery, sculpture, architectural tile and forms, dates back 28,000 years when the paleolithic Venus figurines were sculpted. From magnificent Native American pots to modern tilework, hand-building processes play an important role in artists’ abilities to express their imaginations and traditions through this malleable medium. During this exciting course students will learn a variety of techniques for realizing forms. There will be demonstrations on pinch, coil, and slab, as well as glazing and firing. This is a fun hands-on course!

Fee: $385 (Course Fee: $275 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

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Flat to Functional: Slab Built Pottery Forms

with Jen Allen

Next session: July 24th to 28th, 2026

$650 More Info

All levels welcome

Using some of my hand-building templates as a starting point, students will learn how to design and create their own templates while transforming flat clay slabs into functional pottery forms. This class focuses on form development, template-making, surface texture, and thoughtful assembly/alteration techniques. Students will gain practical strategies for translating ideas into repeatable forms, strengthening problem-solving skills, and building confidence in slab construction.

Jen Allen is a studio potter, educator, and mother based in Morgantown, West Virginia. When she's not creating pottery, teaching, or designing templates, you’ll likely find her in the woods with her pup Margot, or at the hockey rink, cheering on her kids' teams.

Fee: $650 (Course Fee: $550 + Lab Fee: $60 [first bag of clay included] + Non-Refundable Registration Fee: $40)

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Soda Firing and Glaze Layering Techniques

with Dallas Wooten

Next session: June 19th to 23rd, 2026

$670 More Info

All levels welcome

In this workshop, Wooten will demonstrate his glazing and soda firing approaches. Wooten will also discuss a rich variety of soda firing styles and techniques he has observed over the years. We will explore a variety of glazing and decorating techniques that work in tandem with the soda firing process to provide exciting results, with a bit more consistency. In addition, Wooten will demonstrate various wheel-throwing techniques and applicable soda-firing designs for pottery.

Dallas Wooten earned his BFA in Ceramics from Indiana University Southeast and his MFA from Ohio University. Wooten established Wooten Clayworks in 2020, which now resides in Hackettstown, New Jersey where he currently teaches and curates exhibitions and workshops. Recently, Wooten co-founded the Princeton Pottery Festival with Ben Carter and Eric Rempe.

Fee: $670 (Course Fee: $550 + Lab Fee $80 [includes first bag of clay] + Non-refundable Registration Fee: $40)

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Carve Your Story: Relief Printing Workshop

with Martin Kruck

Next session: August 7th to 8th, 2026

$310 More Info

All levels welcome

Join us for a hands-on introduction to Relief Printing. While always visceral, this printmaking process is conducive to personal approaches as varied as high detail or free flowing. Learn exciting techniques for carving designs and imagery into linoleum blocks and how to print your unique artworks. Explore personal imagery and storytelling along with the fathomless possibilities and qualities this tactile process provides. Perfect for beginners and/or artists looking to enliven and expand their practice.

Martin Kruck’s artwork has been featured in 25 solo exhibitions and in over 100 group exhibitions in Germany, Estonia, United Kingdom, Northern Ireland (UK), and the United States. He has received artists grants from the National Endowment for the Arts, the New York State Council on the Arts, the Connecticut Commission on the Arts, and the Mid Atlantic Arts Foundation. He is a Professor of Art/Printmaking at Kean University Jersey City.  

Fee: $310 (Course Fee: $220 + Lab Fee: $50 + Non-Refundable Registration Fee: $40)

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3D Embroidery: Things That Go Buzz

with Deborah Simon

Next session: July 17th to 19th, 2026

$390 More Info

All levels welcome

The Catskills are alive with nature. Learn embroidery and sculpt those complex, buzzy, harbingers of summer. And while we might not want to admit this, bugs are among our most important cousins on this planet. As you know, they do a lot for us. Now let’s do something for them! Students will learn to create wings embroidered on fabric and wire and then sculpt them into an insect body to create a three-dimensional sculpture of the beautiful, sometimes annoying, invertebrate. Students will be taught basic and complex embroidery techniques. There will be fun discussions and demonstrations on how to analyze the subject matter and then create a strategy for sculpting the object. This workshop is perfect for those who want to learn embroidery and for those who want to sculpt.

Deborah Simon’s art focuses on humanity’s discordant relationship with animals. Her sculptures and paintings of animals have been exhibited around the world. She has received numerous fellowships including the Chulitna Lodge Creative Summer Residency, Vermont Studio Center, Saint Ann’s Warehouse Puppet Lab, Sculpture Space, Marie Walsh Sharpe Space Program and the Cultural Space Subsidy Program. She has received grants from the Ruth and Harold Chenven Foundation, the Ludwig Vogelstein Foundation and NYSCA. Following studies at the Repin Institute of Art in Leningrad, USSR, Simon received a BFA from the San Francisco Art Institute and MFA from New York’s School of Visual Arts.

Fee: $390 (Course Fee: $300 + Lab Fee: $50 + Non-Refundable Registration Fee: $40)

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Exploring the Moon Jar

with Sophie Kang Min Yoon

Next session: July 10th to 14th, 2026

$670 More Info

Some throwing experience necessary

Upon arriving at our beautiful studio, roll up your sleeves and get ready to dive into the worlds of the Moon jar and Tsubo jar, both important vanguards of ceramic history. This workshop will be a great opportunity to expand your wheel-throwing skills, achieving spherical forms through technique and shaping strategies. We’ll start with small volumes and find our way to larger sectional throwing/building. Rims, bases, and trimming will be important aspects of our exploration. To top off the week there will be a salt firing that offers students the experience of utilizing glazes that accentuate these voluptuous forms.

Sophie Kang Min Yoon is a first-generation Korean American ceramic artist from Queens, NY. She received her BA in art education with a studio art concentration in ceramics from CUNY Queens College. She has taught art within the NYC public school system and has assisted workshops at numerous studios in the metropolitan area. She has been employed as a ceramic technician, studio manager, and production potter. In 2025 Yoon established Long Island Clay - Ceramics Studio in Huntington, New York.  

Fee: $670 (Course Fee: $550 + Lab Fee: $80 [includes first bag of clay] + Non-Refundable Registration Fee: $40)