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Explorations in Natural Paints, Dyes & Pigments

with Patricia Miranda

Next session: August 15th to 18th, 2025

$490 More Info

Skill Level: Beginner To Advanced

This workshop is an exploration of color using natural dyes and pigments. Participants will create color from raw materials such as cochineal, malachite, clay, oak gall, and black walnuts, for use in a diverse group of water-based binders, from gum arabic to distemper to egg tempera. We will explore the potentials of color, and how materials carry content through history, context, physical and aesthetic properties. Considerations of the environmental impact of materials will offer a framework for maintaining a sustainable safe painting practice. Participants will create a set of handmade watercolor paints, a color swatch book, and exploratory paintings on paper, textile, and panel.

Patricia Miranda is an artist, curator, educator, and founder of “The Lace Archive,” “The Crit Lab,” and “MAPSpace.” Grants include the Ruth and Harold Chenven Foundation, Northern Manhattan Arts Alliance, Arts Westchester, Anonymous Was a Woman Relief Grant, and a NEA grant working with homeless youth. Solo exhibitions include Olin Fine Art Center, 3S Artspace, Jane Street Art Center, and group exhibitions Spartanburg Art Museum, Dunedin Fine Art Center; Lyman Allyn Museum. Recent reviews include Art New England and Brooklyn Rail.

Course Fee: $400 + $50 Lab Fee + $40 Non-Refundable Registration Fee

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Intro to Plaster Mold Making & Slipcasting

with Jackie Head

Next session: July 4th to 8th, 2025

$630 More Info

Skill Level: Beginner to Advanced

This class will explore the world of plaster mold making! We will cover every step of the mold making process from start to finish. To begin, the class will discuss prototype selection and development. Utilizing found objects or sculpted clay forms, students will explore a myriad of mold making methods including draft molds and multiple part molds for complex objects. To finish out the week, the class will learn the process of slipcasting and how to make multiples at home. Mold making is a series of problem solving opportunities and this class will be catered to the students' individual goals - the more complex the better!

Jackie Head discovered her love of slipcasting porcelain tile forms and mold making while studying abroad in Jingdezhen, China in the summer of 2014. This experience heavily influenced the work she would go on to make while obtaining her BFA in Ceramics from Indiana University and MFA in Ceramic Art from the New York State College of Ceramics at Alfred University. Jackie has completed residencies at The Archie Bray Foundation, the Cité Internationale des Arts, and the Morean Center for Clay. She currently resides in her hometown, Indianapolis, where she maintains a private studio.

Course Fee: $500 + $90 + $40 Non-Refundable Registration Fee

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3D Embroidery: Things That Go Buzz

with Deborah Simon

Next session: July 18th to 20th, 2025

$380 More Info

Skill Level: Beginner to Advanced

The Catskills are alive with nature. Learn to embroider and sculpt those complex buzzy, harbingers of summer. And while we might not want to admit this, bugs are among our most important cousins on this planet. As you know, they do a lot for us. Now let’s do something for them! Students will learn to create wings embroidered on fabric and wire and then sculpt them into an insect body to create a three-dimensional sculpture of the beautiful, sometimes annoying, invertebrate. Students will be taught basic and complex embroidery techniques. There will be fun discussions and demonstrations on how to analyze the subject matter and then create a strategy for sculpting the object. This workshop is perfect for those who want to learn embroidery and for those who want to sculpt.

Deborah Simon’s art focuses on humanity’s discordant relationship with animals. Drawing from her work in veterinary clinics and the Bronx Zoo Exhibition Department, her art examines how people consider, use, and disregard animals. Her sculptures and paintings of animals have been exhibited around the world, most recently a solo show, “Embroidered Morphologies” at the International Museum of Surgical Science in Chicago, Illinois, and in “Lagomorph: Rabbits and Hares in Contemporary Craft” at the Fuller Craft Museum in Brockton, Massachusetts. “White Rabbit”, a solo window installation was featured at AHA Fine Art in New York City. She has received numerous fellowships including the Chulitna Lodge Creative Summer Residency, Vermont Studio Center, Saint Ann’s Warehouse Puppet Lab, Sculpture Space, Marie Walsh Sharpe Space Program and the Cultural Space Subsidy Program. She has received grants from the Ruth and Harold Chenven Foundation, the Ludwig Vogelstein Foundation and NYSCA. Following studies at the Repin Institute of Art in Leningrad, USSR, Simon received a BFA from the San Francisco Art Institute and MFA from New York’s School of Visual Arts.

Course Fee: $300 + $40 Lab Fee + $40 Non-Refundable Registration Fee

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Frame Loom Workshop

with Margot Becker

Next session: June 20th to 22nd, 2025

$430 More Info

Skill Level: Beginner to Advanced

A playful THREE-DAY weekend workshop dedicated to frame loom and off-loom textile creation is about to ensue! Each day will spotlight a unique technique, allowing plenty of room for creative exploration in our beautiful, sun-kissed studio. Students will learn weft-faced tapestry, warp wrapping, textured weaves, lace weaving, and weaving in the third dimension while creating a small series of woven art pieces. Weaving is for everyone, and its possibilities are limitless. The versatile interlocking grid can be used to craft images, architectural structures, utilitarian cloth, and personal keepsakes. Together, we’ll explore these applications and more. Come discover the boundless potential of weaving in our friendly and beautiful studio.

Margot Becker is an artist, weaver, and educator based in Hudson, New York. Through tactile processes she explores sense of place, the natural environment, and the connection between the Individual and the Communal subconscious. Her work has been exhibited in New York, San Francisco, Los Angeles, Chicago and Houston. Margot Becker has attended residencies at the Houston Center for Contemporary Craft, ACRE, Mildred’s Lane, Rabbit Island and AZ West. She received her BA in studio art from Bard College in 2009 and her MFA from California College of the Arts in 2020 where she was awarded the Edwin Anthony & Adelaine Boudreaux Cadogan Scholarship and the Toni A. Lowenthal Memorial Scholarship for Excellence in Textiles.

Course Fee: $300 + $90 Lab Fee + $40 Non-Refundable Registration Fee

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Cattail Weaving Intensive: Hat, Baskets & More

with Renee Baumann

Next session: September 12th to 14th, 2025

$380 More Info

Skill Level: Beginner to Advanced

These beautiful Catskill mountains abound with the cattail. An iconic plant, this monarch of the marsh has been used to fashion containers and coverings throughout the history of the region’s human habitation. This popular workshop will introduce you to several fundamental weaving techniques that utilize cattails including, twining, plaiting, weaving on a mold and hand forming cordage and netting. Over the course of this exciting intensive, you will try out several techniques and select one to work on for a larger project. There will discussions on how to find, harvest and prepare cattails, demonstrations, and heaps of individual attention provided by our amazingly talented instructor.

Renee Baumann is a Catskills-based designer, chef, and nature enthusiast with a passion for wild plants and fungi. Trained as an architect and a chef, she brings a creative, interdisciplinary flair to everything she does—whether she’s crafting baskets from local plants, illustrating mushrooms in watercolor, or whipping up delicious meals from foraged ingredients. Renee teaches workshops and techniques working with local fibers, with an emphasis on creating three dimensional forms from bioregional components. Her work varies from traditional basketry to sculptural felt and spinning foraged fibers. Renee teaches workshops on identifying, cooking with, and even weaving with plants and fungi growing in the Catskills.

Course Fee: $300 + $40 Lab Fee + $40 Non-Refundable Registration Fee

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Discovering Your Creativity

with Karin Lowney-Seed

Next session: June 27th to 30th, 2025

$490 More Info

Skill Level: Beginner to Advanced

Discovering Your Creativity is a hands-on workshop in which students dive straight into creating acrylic paintings from initial concepts to a finished piece. Attendees will learn basic painting techniques and will be encouraged to draw upon learned life experiences, new ideas and underlying inspiration. This always dynamic workshop will give the student new insights as to how to take risks, learn from experimentation, and make artistic expression a fulfilling life-long endeavor. The fun is always electric in this very popular workshop at the foot of legendary Thomas Cole Mountain.

Kárin Lowney-Seed is a professional artist and designer whose work demonstrates a bold, confident and colorful painting style. Lowney-Seed’s prolific career has spanned the fine arts and design worlds. Featured as a popular guest artist at The Sugar Maples Center for Creative Arts, Kárin takes personal pride in elevating her student’s artistic talents by sharing her deep knowledge of technique, color and space. She holds an MFA and BA from The School of the Art Institute of Chicago. Karin currently makes her home and studio in New Jersey.

Course Fee: $400 + $50 Lab Fee + $40 Non-Refundable Registration Fee

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Everybody Must Get Stonewared

with Doug Peltzman

Next session: August 15th to 19th, 2025

$615 More Info

Skill Level: Some experience is useful

Pottery as a form of utility and expression has existed for over 10,000 years. Endless iterations have spanned all cultures, and ceramic art embellishes every household in the world. The storage of food and anything else you can think of makes its way into shapes and volumes that are defined by the maker. This workshop will offer discussions, demonstrations, and experimentations with many of the boundless ways we can interpret the concepts and practice of pottery. Cups and bowls form the foundation, the entry point, and from there onward we expand our pottery vocabulary, and hopefully with tireless hours of work and dedication we discover our voice with the material. This workshop will provide a deep dive into the expansive universe of utilitarian pottery. There will be a bisque and cone 10 reduction gas firing.

Doug Peltzman was born in New York City and raised on Long Island. Having a voracious appetite for risk, being a skateboarder and artist, Peltzman has been making pots since 2003 and has been painting and drawing his entire life. Since graduating with his MFA from Penn State in 2010, he established a pottery studio in Shokan, NY. Since that time, he has taught workshops throughout the country, is a founding member of Objective Clay, and is one of the principal creators/organizers of the hyper-successful Hudson Valley Pottery Tour. Doug is the father of three superbly talented and cheerful children, a dedicated husband, and a full-time studio potter.

Course Fee: $500 + $75 Lab Fee + $40 Non-Refundable Registration Fee

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Brush Making

with Miles Gracey

Next session: August 1st to 2nd, 2025

$290 More Info

Skill Level: Beginner to Advanced

In this exciting 2-day introductory workshop, students will be introduced to the now esoteric art of brush making. While in modern times the brush has been relegated to “the oh so familiar,” this object has enjoyed a beautiful and rich history as one of humanity’s most useful tools. Through emphasis on natural materials and traditional techniques, this class will cover materials, binding methods, and several handle and decorative options to make the humble sweeper both highly useful AND exquisitely aesthetic. The woods of these glorious Catskill Mountains make for the perfect starting point learning this ancient craft.

Miles Gracey is a furniture/cabinet/object maker, working primarily in wood. His work explores storytelling, ornamentation, and narratives amongst objects— all predicated on touch. Miles received a BFA in sculpture from Otis College and an MFA from Cranbrook Academy of Art. Gracey has been in residence at Houston Center for Contemporary Art, the Center for Furniture, and Haystack. His awards include Anderson Ranch, Berkshire Woodworkers Guild, and the Jackie Romine Scholarship at the Krevov School, among others. Miles has participated in numerous important group exhibitions.

Course Fee: $200 + $50 Lab Fee + $40 Non-Refundable Registration Fee

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Weekly Hand-Building Ceramics

Next session: June 18th to August 20th, 2025

$355 More Info

Instructor TBD

Skill Level: Beginner – Advanced

Using clay to create pottery, sculpture, architectural tile and forms, reaches back as far in time as 28,000 years ago when the paleolithic Venus figurines were sculpted. From the magnificent Native American pots to modern tilework, hand-building processes play an important role in artists’ abilities to express their imaginations and traditions through this most malleable medium. During this exciting course students will learn a wide variety of processes, tools, and approaches for realizing forms. There will be demonstrations of pinch, coil, and slab techniques as well as glazing and firing. This is a fun hands-on course!

Course Fee: $250 + $65 Lab Fee (includes first bag of clay and firings) + $40 Non-Refundable Registration Fee

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Five Days with Adjectives

with Andrea and John Gill

Next session: June 20th to 24th, 2025

$700 More Info

Skill Level: Beginner - Advanced

Come join us for this rare opportunity to study and work with renowned artists Andrea and John Gill. Held in the highest regard, both artists bring contemporary and historical weight to their ideas, dynamic problem solving, and unique construction techniques. This intensive workshop is guaranteed to alter your trajectories in thinking and creating. Andrea and John are both leaders in our field because of their groundbreaking work and profound abilities to teach, guide, and support others in their creative quests. Working with a blend of focused spontaneity and predetermination, both artists exude a unique gift for communicating what that process looks like. There will be demonstrations, discussions, hands-on exercises, and heaps of individual attention.

Andrea Gill received her MFA from the New York State College of Ceramics at Alfred University and BFA from the Rhode Island School of Design. Recently retired, Andrea was a Professor at Alfred University since 1984. Among her many recognitions, Gill has won fellowships from the National Endowment for the Arts, the New York Foundation for the Arts, and Ohio Arts Council. Her works are in the collections of the Los Angeles County Museum, London’s Victoria and Albert Museum, and the Rhode Island School of Design. She has been featured in many magazines and books. Gill’s work was included in the prestigious White House Collection of American Crafts Exhibition in Washington, DC’s National Museum of American Art in 1995.

John Gill earned his MFA from Alfred University in 1975 and BFA from the Kansas City Art Institute in 1973. A member of the International Academy of Ceramics, John Gill has presented lectures and workshops in the United States and internationally for over 30 years. He presented the keynote address at the Seventh International Ceramic Biennale in Korea in 2013.  His work is held in numerous private and public collections including the Brooklyn Museum, the Victoria and Albert Museum, and the Los Angeles County Museum of Art. He was elected as a Fellow of the American Crafts Council in 2014.

Course Fee: $600 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Waiting list available