Skill Level: Some experience is useful

Pottery as a form of utility and expression has existed for over 10,000 years. Endless iterations have spanned all cultures, and ceramic art embellishes every household in the world. The storage of food and anything else you can think of makes its way into shapes and volumes that are defined by the maker. This workshop will offer discussions, demonstrations, and experimentations with many of the boundless ways we can interpret the concepts and practice of pottery. Cups and bowls form the foundation, the entry point, and from there onward we expand our pottery vocabulary, and hopefully with tireless hours of work and dedication we discover our voice with the material. This workshop will provide a deep dive into the expansive universe of utilitarian pottery. There will be a bisque and cone 10 reduction gas firing.

Doug Peltzman was born in New York City and raised on Long Island. Having a voracious appetite for risk, being a skateboarder and artist, Peltzman has been making pots since 2003 and has been painting and drawing his entire life. Since graduating with his MFA from Penn State in 2010, he established a pottery studio in Shokan, NY. Since that time, he has taught workshops throughout the country, is a founding member of Objective Clay, and is one of the principal creators/organizers of the hyper-successful Hudson Valley Pottery Tour. Doug is the father of three superbly talented and cheerful children, a dedicated husband, and a full-time studio potter.

Course Fee: $500 + $75 Lab Fee + $40 Non-Refundable Registration Fee

Beginner - Advanced

Explore the connection between form, narrative and surface design by drawing, painting and carving on leather-hard clay. Bring a sketchbook of your favorite source material and be ready to incorporate old and new influences to create a library of imagery that is uniquely yours. Participants will be guided in the process of distilling these ideas into dynamic, colorful surface design; giving individual stories universal appeal. This workshop is appropriate for makers of all levels. Participants should be comfortable constructing simple vessel forms or tile—hand-built and/or wheel-thrown—to be decorated in the leather-hard state using sgraffitto and painting techniques.

Sue Tirrell was born and raised in Red Lodge, Montana. Receiving an AA degree from Cottey College and BFA from Alfred University, Sue’s work draws inspiration from life-long experiences in the American West. She is passionate about folk art, vintage kitsch, and western art and culture. Tirrell has exhibited widely in the United States as well as Canada and Australia. A former Resident Artist at the Archie Bray Foundation, she has taught workshops across the US and Canada in community art centers, college classrooms, retirement homes, and one-room schoolhouses. She currently makes her home and studio on the banks of the Yellowstone River.

Course Fee: $500 + $80 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner - Advanced

Come join us for this rare opportunity to study and work with renowned artists Andrea and John Gill. Held in the highest regard, both artists bring contemporary and historical weight to their ideas, dynamic problem solving, and unique construction techniques. This intensive workshop is guaranteed to alter your trajectories in thinking and creating. Andrea and John are both leaders in our field because of their groundbreaking work and profound abilities to teach, guide, and support others in their creative quests. Working with a blend of focused spontaneity and predetermination, both artists exude a unique gift for communicating what that process looks like. There will be demonstrations, discussions, hands-on exercises, and heaps of individual attention.

Andrea Gill received her MFA from the New York State College of Ceramics at Alfred University and BFA from the Rhode Island School of Design. Recently retired, Andrea was a Professor at Alfred University since 1984. Among her many recognitions, Gill has won fellowships from the National Endowment for the Arts, the New York Foundation for the Arts, and Ohio Arts Council. Her works are in the collections of the Los Angeles County Museum, London’s Victoria and Albert Museum, and the Rhode Island School of Design. She has been featured in many magazines and books. Gill’s work was included in the prestigious White House Collection of American Crafts Exhibition in Washington, DC’s National Museum of American Art in 1995.

John Gill earned his MFA from Alfred University in 1975 and BFA from the Kansas City Art Institute in 1973. A member of the International Academy of Ceramics, John Gill has presented lectures and workshops in the United States and internationally for over 30 years. He presented the keynote address at the Seventh International Ceramic Biennale in Korea in 2013.  His work is held in numerous private and public collections including the Brooklyn Museum, the Victoria and Albert Museum, and the Los Angeles County Museum of Art. He was elected as a Fellow of the American Crafts Council in 2014.

Course Fee: $600 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Some experience will be useful

This is an intensive workshop for the potter who wants to gain the ‘chops’ necessary for throwing larger pots with greater volume. We will focus primarily on functional forms like pitchers, casseroles, jars, and bottles as forms with which to explore more advanced wheel throwing techniques. There will be discussions about shapes and forming, demonstrations of clay preparation and throwing large, and trimming/finishing. Attention will be given to the parts of pots that provide generous containment of space, and those parts that help to define or accentuate. Also, a range of types of appendages, like handles, spouts, and lids will be explored. Participants will get heaps of hands-on time, exercises for keeping the focus, and the always important individual attention. Come join us for this first-time hyper-focus workshop in our beautiful studio!

Harry Kunhardt received a BA in Philosophy with an Art History Minor from Skidmore College. A professional production potter, Kunhardt has produced work for Jono Pandolfi and Brad Lail, and makes commissioned works as an important part of his living as a studio potter. Harry has deep experience in wood-firing and has been on firing crews for many potters including Jack Troy, Susan Beecher, Pascal Chmelar, William Baker/Joy Tanner, and Arlene Shechet. His work has been in many national exhibitions including the Philadelphia Museum of Art Craft Show, “The Dirty South Cup Show” in Louisiana, and “Twin Cups” in Illinois for which he was awarded Best In Show. Harry teaches wheel throwing for Byrdcliffe Art Center in Woodstock, Kingston Clay Studio, and at Sugar Maples Center for Creative Arts where he was an Intern in 2016. Currently, Harry and his wife Meredith maintain a home, studio (28a Clay), and wood-kiln near Woodstock, New York.

Course Fee: $300 + $30 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Some experience useful

In this workshop we will focus on creating interesting painterly surfaces on ceramic objects by using wax resist, stencils, incising, painting, and drawing using underglazes. We will explore wheel throwing and handbuilding techniques as ways of making functional vessels that provide perfect spaces on which to develop imagery that is unique to you and your experiences in the world. There will be a bisque and glaze firing. Some ceramics experience is preferable.

Matias Braun is a ceramic artist, father, and surfer. Born in Madrid, New Mexico, but raised and residing in Costa Rica, Braun attended the University of Hawai'i at Manoa where he graduated with a Bachelor of Fine Arts in Ceramics. His work has been displayed nationally and internationally in numerous juried and invitational exhibitions. Matias has been featured in Ceramics Monthly as a contributor to the "Working Potter Issue" edition. This year, Matius’ work was presented in the Demerest Pottery Show’s 50th anniversary exhibition.

Course Fee: $500 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Some experience is useful

Come join Aysha for a three-day intensive workshop that will emphasize her unique approach to imagined space, scale, and the poetic properties of wheel-thrown and altered clay. Suggestions of terrain, body in motion, and flora will be explored through discussions, demonstrations, and hands-on exercises. Specific features of pots such as rims, feet, lids, volumes and form will be covered during this unique workshop opportunity. Students will be introduced to dynamic techniques for altering freshly thrown forms, expanding on their own conversations with porcelain.

Aysha Peltz received both her BFA and MFA degrees from Alfred University. A gifted teacher, she has led workshops all around the country including at Arrowmont, Alfred University, Haystack, Harvard University, and Kansas City Art Institute. Peltz has lectured at the Shelburne Craft School, Huntingdon Museum of Art, and at Jingdezhen Ceramic Institute in China. A prolific artist, she has exhibited throughout the United States in both group and solo exhibitions. Aysha’s work is in many collections including AMOCA, the Schein-Joseph International Museum of Ceramic Art, Jingdezhen Ceramic Institute, and the Huntingdon Museum of Art. Peltz’ awards include the Walter Gropius Master Award, and Emerging Artist Award from NCECA. Currently Aysha holds a faculty appointment at Bennington College in Vermont.

Course Fee: $300 + $50 Lab Fee + $40 Non-Refundable Registration Fee