Skill Level: Beginner – Advanced

This workshop/demonstration will introduce students to an exciting way of building forms using mold making, slip casting, rearrangement of parts, and technical construction. The instructor will lead participants through various industrial techniques that are then utilized to create artistic responses and complex forms. The use of stains and colorants as additions to clays and slips will be covered through this 3-day long demonstration/workshop. This workshop will feature a collective approach to learning Johns’ vivid new ways of construing and building vessels and forms.

Kyle Johns was born and raised in Chicago. He received a BFA from Southern Illinois University and MFA from Ohio University. Johns has been an artist-in-residence at The International Ceramics Center in Kecskemet, Hungary, the Archie Bray Foundation in Montana, and at Kansas State University. He was a Studio Assistant at Arrowmont School for Arts and Crafts and has participated in their Utilitarian Clay symposium. His innovative work has been featured in numerous magazines, national exhibitions, and he is currently an Instructor in Harvard’s Ceramics Program in Cambridge.

Course Fee: $300 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner To Advanced

Concentrating on life-size portrait busts, we will learn to sculpt facial and upper body expressions, depict advanced emotions, and create a narrative. The foundations of academic proportions will be used as a gateway to construct invented figures! Exploring impressionistic gesture and color theory we will underglaze our completed sculptures in the greenware state. Learning the “inside-out” building technique we will endeavor to manipulate the figure from both sides of the clay wall so the artist can express the influence of muscle and bone and skin. Come study with one of the country’s preeminent sculptors.

Arthur Gonzalez is an internationally recognized artist with over 60 solo shows in forty years, including nine in New York. Awards include the Virginia Groot Foundation and a four-time recipient of the National Endowment of the Arts Fellowship. Public collections include the Museum of Modern Ceramic Art in Gifu, Japan and the Smithsonian Archives of American Art. His many Artist-in-Residencies include The Tainan National University in Taiwan, The Archie Bray Foundation in Helena, Montana, and the Pilchuck Glass School in Seattle, Washington. Gonzalez is a Professor of Art at the California College of the Arts.

Course Fee: $500 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Beginner – Advanced

Handbuilding exquisite pottery forms is as ancient as the Craft is. This workshop is perfect for students who want to take handbuilding and creating dynamic surface decoration to a new level. Come study with this rising star of ceramics who will lead you through wonderful construction techniques that celebrate minimalist form thereby providing perfect planes for bold surface decoration using digital and analog approaches to pattern-making. Explore the power of line, negative space, contrast, and tension and their relationship to the forms you make. Analog and digital pattern design will be introduced, as well as embossing as an under-overlying detail. It’s complex and that’s exactly where we want to be. There will be demonstrations, discussions, hands-on work in our beautiful studio, firing, and heaps of individual attention. You can apply this to wherever and whatever temperature you want to fire.

Yael Braha is an artist of North African descent who received her BA in Graphic Design and MFA in Cinema. She has been an artist-in-residence at Arrowmont, Watershed, Haystack, Starworks, and in Shigaraki, Japan. Yael’s work has been exhibited in museums and galleries in the United States and Japan and is in permanent collections in the United States. In 2021, Braha received the coveted Multicultural Fellowship Award from the National Council on Education for the Ceramic Arts.

Course Fee: $500 + $90 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner To Advanced

Coil-building is a foundational ceramic hand-building process with principles used to make things that encompass pottery, sculpture, and even architecture. The techniques taught will lean heavily on understanding materiality (clay), the sensitivity of touch, and ideas of structure. In this workshop, students will engage all three of these elements; learning how to coil-build an array of forms, volumes, and structures as ceramic sculpture. In this amazing workshop, issues of intention, scale, and exploration of form will be shared.

Ebitenyefa Baralaye is a Detroit-based ceramicist, sculptor, designer, and educator. His work explores cultural, spiritual, and material translations of objects, text, bodies, and symbols interpreted through a diaspora lens and abstracted around the aesthetics of craft and design. He studied at Rhode Island School of Design and the Cranbrook Academy of Art. Baralaye has exhibited at David Klein Gallery, Friedman Benda Gallery, and the Korea Ceramic Foundation, among others. He is currently an Assistant Professor in the Stamps School of Art & Design at the University of Michigan.

Course Fee: $500 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner - Advanced

If you love to fire and achieve heaps of different surface effects, or are short on atmospheric firing experience, this intensive workshop is for you. Come participate in a variety of firings and see how each approach can inform your ideas and work. Participants will fire soda, wood, gas reduction, raku, and the always colorful pit. Emphasis is placed on glaze/surface preparation and firing techniques. This popular workshop is an exciting, information and results driven experience with demonstrations, lectures, and hands-on participation. You bring the bisque-ware, and we will fuel your ideas with heat, atmosphere, and enjoyment.

Bruce Dehnert has a BA in Creative Writing from the University of Montana and MFA from Alfred University. He has taught at Hunter College and Parsons School of Art and Design, The School of Art [New Zealand], the Universiti Malaysia Sarawak, UMASS Dartmouth, and workshops in New Zealand, China, Japan, Canada, and India. His awards include three Fletcher Challenge International Ceramics Awards, a New Jersey Artist Fellowship, the Settlor Prize in Sculpture, and a Carnegie Premier Award for Works on Paper. His work is held in numerous collections including The Crocker Museum, the Yixing Museum of Ceramic Art, The New Dowse Museum, and The White House [Washington, DC]. Dehnert has written articles for journals including, Studio Potter, Ceramics Monthly, and Ceramics: Art and Perception and co-authored Simon Leach’s Pottery Handbook for Abrams. He is a member of the International Academy of Ceramics and is Head of Ceramics at Sugar Maples Center for Creative Arts.

Steve Cook pursues an aesthetic life’s “sweet spot” of beauty, experience, value and meaning from his current home in San Diego. Steve earned a BA in Sculpture (figure and installation) from Penn State, studying abroad in Taipei at Fu Ren University and National Taiwan University. He earned an MFA in Film (essayistic experimental documentary filmic installation) from CalArts. Steve has worked and taught in a wide variety of media and for surprisingly diverse industries in the US, Asia and Africa, for the past 40 years, earning both awards and condemnation.

Course Fee: $600 + $120 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner To Advanced

The use of locally sourced, or “Wild Clays,” is hugely popular. Unlike commercially produced clays, wild clays can be highly variable and often possess properties that are uncommon, offering significant challenges to the production of studio art. This workshop will systematically demonstrate, step by step, how to characterize and incorporate wild clay into processes that can be duplicated in the studio. This workshop will address the unique properties of wild clay, blending with other raw materials to improve behavior, addressing problems, and frank discussions regarding whether the clay is worth trying to tame. For the first time in a workshop, students will be invited to bring samples of wild clay and have them scientifically analyzed so their local clay can be integrated into a Unity Formula. How exciting is THAT?! Don’t worry if you can’t find clay. This workshop has you covered. Come join us in the Catskills at the eastern terminus of the Ceramics Corridor!

Dr. William Carty retired in 2020 from Alfred University after 27 years as a Ceramic Engineering professor focusing on ceramic processing, traditional ceramics, clay bodies and glazes. He is now a consultant to the ceramic industry, lives in New Hampshire, and still teaches “Ceramic Science for the Artist” in the summer. He is a world-recognized ceramic expert and conducts research and advises graduate students at Alfred University. Dr. Carty is noted for his exceptional, and much appreciated, work providing links between artists and materials science.

Course Fee: $500 + $105 Lab Fee + $40 Non-Refundable Registration Fee