Skill Level: Beginner To Advanced

The use of locally sourced, or “Wild Clays,” is hugely popular. Unlike commercially produced clays, wild clays can be highly variable and often possess properties that are uncommon, offering significant challenges to the production of studio art. This workshop will systematically demonstrate, step by step, how to characterize and incorporate wild clay into processes that can be duplicated in the studio. This workshop will address the unique properties of wild clay, blending with other raw materials to improve behavior, addressing problems, and frank discussions regarding whether the clay is worth trying to tame. For the first time in a workshop, students will be invited to bring samples of wild clay and have them scientifically analyzed so their local clay can be integrated into a Unity Formula. How exciting is THAT?! Don’t worry if you can’t find clay. This workshop has you covered. Come join us in the Catskills at the eastern terminus of the Ceramics Corridor!

Dr. William Carty retired in 2020 from Alfred University after 27 years as a Ceramic Engineering professor focusing on ceramic processing, traditional ceramics, clay bodies and glazes. He is now a consultant to the ceramic industry, lives in New Hampshire, and still teaches “Ceramic Science for the Artist” in the summer. He is a world-recognized ceramic expert and conducts research and advises graduate students at Alfred University. Dr. Carty is noted for his exceptional, and much appreciated, work providing links between artists and materials science.

Course Fee: $500 + $105 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Some experience is useful

Pottery as a form of utility and expression has existed for over 10,000 years. Endless iterations have spanned all cultures, and ceramic art embellishes every household in the world. The storage of food and anything else you can think of makes its way into shapes and volumes that are defined by the maker. This workshop will offer discussions, demonstrations, and experimentations with many of the boundless ways we can interpret the concepts and practice of pottery. Cups and bowls form the foundation, the entry point, and from there onward we expand our pottery vocabulary, and hopefully with tireless hours of work and dedication we discover our voice with the material. This workshop will provide a deep dive into the expansive universe of utilitarian pottery. There will be a bisque and cone 10 reduction gas firing.

Doug Peltzman was born in New York City and raised on Long Island. Having a voracious appetite for risk, being a skateboarder and artist, Peltzman has been making pots since 2003 and has been painting and drawing his entire life. Since graduating with his MFA from Penn State in 2010, he established a pottery studio in Shokan, NY. Since that time, he has taught workshops throughout the country, is a founding member of Objective Clay, and is one of the principal creators/organizers of the hyper-successful Hudson Valley Pottery Tour. Doug is the father of three superbly talented and cheerful children, a dedicated husband, and a full-time studio potter.

Course Fee: $500 + $75 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner To Advanced

Coil-building is a foundational ceramic hand-building process with principles used to make things that encompass pottery, sculpture, and even architecture. The techniques taught will lean heavily on understanding materiality (clay), the sensitivity of touch, and ideas of structure. In this workshop, students will engage all three of these elements; learning how to coil-build an array of forms, volumes, and structures as ceramic sculpture. In this amazing workshop, issues of intention, scale, and exploration of form will be shared.

Ebitenyefa Baralaye is a Detroit-based ceramicist, sculptor, designer, and educator. His work explores cultural, spiritual, and material translations of objects, text, bodies, and symbols interpreted through a diaspora lens and abstracted around the aesthetics of craft and design. He studied at Rhode Island School of Design and the Cranbrook Academy of Art. Baralaye has exhibited at David Klein Gallery, Friedman Benda Gallery, and the Korea Ceramic Foundation, among others. He is currently an Assistant Professor in the Stamps School of Art & Design at the University of Michigan.

Course Fee: $500 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Some experience is useful

From the whimsical to the austere, pouring vessels have an outsized place in the pantheon of pottery forms. Using wheel throwing and handbuilding, this intensive workshop will include demonstrations and hands-on work to address creating spouts and handles for all varieties of pottery forms.  Tyler will demonstrate sectional-throwing to increase scale, tips for creating new solutions to age-old questions of how to finish pieces with the additional complexity of appendages, and ways to prepare work for a high-temperature soda firing. Discussions about pottery design, craftsmanship, function, and inspiration will bring new ideas to the table. A soda firing is planned.

Tyler Gulden is a potter from mid-coast Maine. He received a BFA from Alfred University, a MFA from University of Massachusetts Dartmouth, and has been a studio potter for over 25 years. His pursuits in ceramics have included production pottery experience, residencies at Peters Valley Craft Center and Genessee Pottery, and positions as a studio technician at UMass Dartmouth and studio assistant to Chris Gustin. A passionate advocate for the crafts, Tyler has shared his knowledge and passion as a maker during twelve years as an administrator at Watershed Center for the Ceramic Arts, through many workshops and teaching positions, as well as roles as a member artist and President of the Maine Crafts Association.

Course Fee: $500 + $75 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner - Advanced

If you love to fire and achieve heaps of different surface effects, or are short on atmospheric firing experience, this intensive workshop is for you. Come participate in a variety of firings and see how each approach can inform your ideas and work. Participants will fire soda, wood, gas reduction, raku, and the always colorful pit. Emphasis is placed on glaze/surface preparation and firing techniques. This popular workshop is an exciting, information and results driven experience with demonstrations, lectures, and hands-on participation. You bring the bisque-ware, and we will fuel your ideas with heat, atmosphere, and enjoyment.

Bruce Dehnert has a BA in Creative Writing from the University of Montana and MFA from Alfred University. He has taught at Hunter College and Parsons School of Art and Design, The School of Art [New Zealand], the Universiti Malaysia Sarawak, UMASS Dartmouth, and workshops in New Zealand, China, Japan, Canada, and India. His awards include three Fletcher Challenge International Ceramics Awards, a New Jersey Artist Fellowship, the Settlor Prize in Sculpture, and a Carnegie Premier Award for Works on Paper. His work is held in numerous collections including The Crocker Museum, the Yixing Museum of Ceramic Art, The New Dowse Museum, and The White House [Washington, DC]. Dehnert has written articles for journals including, Studio Potter, Ceramics Monthly, and Ceramics: Art and Perception and co-authored Simon Leach’s Pottery Handbook for Abrams. He is a member of the International Academy of Ceramics and is Head of Ceramics at Sugar Maples Center for Creative Arts.

Steve Cook pursues an aesthetic life’s “sweet spot” of beauty, experience, value and meaning from his current home in San Diego. Steve earned a BA in Sculpture (figure and installation) from Penn State, studying abroad in Taipei at Fu Ren University and National Taiwan University. He earned an MFA in Film (essayistic experimental documentary filmic installation) from CalArts. Steve has worked and taught in a wide variety of media and for surprisingly diverse industries in the US, Asia and Africa, for the past 40 years, earning both awards and condemnation.

Course Fee: $600 + $120 Lab Fee + $40 Non-Refundable Registration Fee