Skill Level: Beginner to Advanced

In this exciting workshop students will learn techniques in watercolor, drawing and collage as they draw inspiration from the beautiful Catskill Mountains landscape. Still life rendering within natural spaces (weather permitting) will be explored so that detailing is learned. There will lots of individual attention so that each artist can apply what they’ve learned to their own unique approach. Subjects include observation of the landscape, still life and figure. Subject matter and projects are flexible and open to each artist’s unique interests and needs. Techniques taught in class will include Plein Air Painting, Watercolor Collage, Wet-in-Wet methods, Masking, Texture making and Layering to create a range of painterly abstract and realistic effects in watercolor on paper. All abilities are welcome.

Hilary Doyle is an artist from Worcester, Massachusetts. Recent solo shows include “Probably a Goddess” at Dinner Gallery in New York City, and “On The Way to the Garden” at Taymour Grahne in London. She has exhibited at Mindy Solomon Gallery, Hesse Flatow, and Monya Rowe Gallery. Her most recent exhibition being a two-person show at Galerie LJ in Paris in 2024, Doyle has received press coverage in Two Coats of Paint, Hyperallergic, Bushwick Daily, and New American Paintings Blog. She has taught at Rhode Island School of Design, Brown University, and SUNY Purchase College. She co-founded NYC Crit Club. Doyle was recently co-director at Transmitter Gallery and curates shows independently. Doyle received a MFA from Rhode Island School of Design and BFA from the Massachusetts College of Art and Design. Currently, Doyle teaches at the College of the Holy Cross.

Course Fee: $400 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

Incorporating diverse materials and mediums, this workshop encourages play, curiosity and boundary-pushing. Students will create cyanotypes using photographic negatives and specimens found in Nature and be taught how to modify their natural blue tones. The class will work with various papers and fabric and learn different mounting and finishing techniques. The integration of water-based paints and collage will be explored, as well as sculptural considerations for wood panels that can support the work. Simple wood-working techniques using manual and rotary tools will be introduced. Come join us while we learn and work with this beautiful process in the fabled Catskill Mountains!

Annalise Neil lives and works in La Mesa, California. With a BFA in Printmaking from the College of Saint Rose, and a minor in Art History (summa cum laude), she has completed residencies at Playa Summer Lake in Oregon, with Mira Schor through the New York City Crit Club, and an artist residency in Motherhood. Her work has been exhibited nationally at galleries and museums including Field Projects, NYC, The Irvine Fine Arts Center, and The Oceanside Museum of Art. Neil’s work has been featured in publications such as ArtMaze Mag, Colossal, The On Being Project, Emergence Magazine, All She Makes, Resurgence, Ecologist Magazine, and New Visionary Magazine. Her work resides in public and private collections across the U.S., Europe, and Asia.

Course Fee: $400 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

This workshop will cover everything you want to know about painting outdoors, and more! This two day workshop will bring participants outside with their paint of choice, geared up, and ready to work. We'll cover finding subjects, tracking light, and all the considerations you need to keep in mind when bringing your studio outside. This popular workshop is a unique opportunity to learn ways of delving more deeply into the complexities of garden and nature to create vibrant memories of summertime once the December snows arrive.

Daniel Lloyd-Miller is a painter concerned with place and working from observation. He carefully chooses places to paint in order to harmonize with and better understand them. This act of delving into and absorbing a special place promotes an intensity of experience. He's currently exploring motifs of ‘visibility’ in addition to acute life-paintings of people on the train and other vignettes. Originally from Vermont, Daniel received his BFA degree from Mass Art, and his MFA from the School of the Art Institute of Chicago. He has worked in Japan and France and has exhibited in multiple solo and group shows. Currently, Lloyd-Miller teaches painting at the School of the Art Institute of Chicago.

Course Fee: $200 + $50 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

Gel plate printing, a user friendly, kitchen table compatible printmaking technique with NO need for a press is applicable to painters, printmakers, ceramic artists, journal keepers, etc. Once the basics of Gel Plate printing are learned, it lends itself to both home, studio and travel purposes with ease and practicality. Fun and open to experimentation and improvisation - this is a method where artists with any experience level can discover new motifs and approaches for their art practice - and make beautiful, finished prints. There will be many demos including an “invisible” collage technique where your vibrant colorful prints can become raw material for larger works on paper. We will use slow drying Golden’s Open Acrylics mostly printed onto mulberry paper.

Holly Hughes is an artist with her own shorthand, developed to describe both nature and the human-made visual world surrounding us. Hughes, Professor Emerita of Painting at the Rhode Island School of Design (RISD), works in various mediums - always in conversation with one another. Processed by an imagination raised on Disney, the pictures exude both humor and inspiration from modern culture and the decorative arts. Codes for the idyllic and pastoral slam against a play of repossessed abstract language, with sources ranging from painting history through heraldry to domestic linens. Her practice ranges across painting, works on paper, printmaking, and ceramics. Hughes’ work can be found in many corporate, public, and private collections including Citibank, Pepsico, Prudential Bache, Pfizer Collection, Benziger Imagery Collection, Davis Museum, Dorsky Museum, and Museum of Rhode Island School of Design.

Course Fee: $300 + $40 Lab Fee + $40 Non-Refundable Registration Fee