All levels welcome

This class will concentrate on combining hand building techniques to construct sculptural pottery forms. Enjoying working with clay will be our central focus in making forms in innovative ways. We will do a glazing intermission in the center day of the course where I will demonstrate my glazing technique and participants will have a chance to try their hand glazing on tiles that we will make at the very onset. Students will be introduced to classic “feeling” forms as well as going farther into more sculptural vessel forms that take into consideration abstraction and tension. Relationships to space, volume, and activated form will be emphasized.

Donna Polseno is a studio ceramic artist living in the mountains of Virginia, as well as in Liguria, Italy. She has maintained two parallel careers in decorative/functional pottery as well as sculpture, which has an emphasis on the figure and “still life”. She is the recipient of two NEA Fellowships. Her work has been shown in various museums and galleries both nationally and internationally. The most recent comprehensive exhibition of her pottery and sculpture was at the Huntington Museum, WV. Donna has taught at many schools including Haystack, Anderson Ranch, Penland School, and La Meridiana in Italy. Donna has been a visiting artist/teacher twice at Jingdezhen University in China. She taught part time for many years at Hollins University, where she created the annual symposium “Women Working With Clay” which she continues to help organize as the Founding Director.

Fee: $655 (Course Fee: $550 + Lab Fee: $65 [includes first bag of clay] + Non-Refundable Registration Fee: $40

All levels welcome

For as long as ceramists have engaged in wood-firing, its age-old customs and practices have been examined and evolved. Together we will fire “Julia,” our new Train Kiln, to high temperature and then cool the kiln in reduction in search of iron red surfaces. Students will arrive with bisque wares made with stoneware or iron rich clay-bodies. We will use applied slips and raw clays to maximize deep surface effects. This dynamic workshop will feature demonstrations and discussions about kiln design and firing processes that maximize aesthetic options when using wood as both fuel and partner in the creative process. This is a unique opportunity to study with one of the principal innovators of “reduction cooling”.

Daniel Murphy is a studio artist and professor teaching ceramics at Utah State University. Murphy began using local clays and then built and successfully fired his first wood kiln while pursuing his undergraduate degree. He has built and fired kilns all over the world and continues to discover something new each time he does so. Murphy has a passion for sharing what he has learned from these experiences.

Fee: $760 (Course Fee: $600 + Lab Fee: $120 [includes one bag of stoneware clay] + Non-Refundable Registration Fee: $40)

All levels welcome

This course is designed to encourage students to lean into the history of ceramics and to explore ways to utilize historical forms as inspiration for new work. During this innovative workshop the throwing class, with instructor Suze Lindsay, will be collaborating with the hand-building class, taught by Margaret Bohls. Suze and Margaret will share their own deep pools of historical inspiration through brief and entertaining lectures to kindle purpose and intention. Students are invited to bring images of historical works that inspire them. Working on wheels and tabletops, we will explore strategies and techniques for creating functional pots. Conversations and demonstrations will help students create dynamic forms and explore approaches to surface using texture, carving, and a variety of slip decoration techniques. There will be a bisque firing.

Suze Lindsay is a studio potter in North Carolina. Her formal training started as a CORE fellow at Penland School of Craft, followed by earning an MFA from LSU. After completing 3 years in Penland’s artist-in-residence program, she established Fork Mountain Pottery with partner and fellow potter, Kent McLaughlin. She has presented workshops and lectures nationally and internationally. Suze strives to make pots that are good companions for daily use. “I make pots that entice the user to take pleasure in everyday activities, inviting participation, promoting hospitality.”

Fee: $655 (Course Fee: $550 + Lab Fee: $65 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

Some throwing experience appreciated

This wheel-throwing workshop offers a focus on exploring and experimenting with different "lidding systems" used in pottery making. Taught by one of the country’s most renowned potters, this exciting course will offer students detailed instruction and hands-on experience with an array of different approaches to making lids for pots and, alternatively, pots for lids. Come expand your skills ten-fold through this concentration on tools, techniques, and aesthetics. There will be lively discussions, demonstrations, and lots of individual attention.

David MacDonald received his MFA from the University of Michigan in 1971; and joined the faculty of the School of Art at Syracuse University, retiring in 2008. His creative work is mostly inspired by his investigation of his African heritage. His work has been featured in several ceramic textbooks and magazines. He has also been featured in several nationally televised programs.

Fee: $650 (Course Fee: $550 + Lab Fee: $60 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

All levels welcome

With generous support from AMACO, join glaze designer Cory Brown for a hands-on workshop exploring AMACO’s amazing range of cone 5–6 glazes. From fan favorites like Potters Choice to exciting new lines, Cosmos and Phase, this is a unique opportunity to experiment, learn, and play with color and surface.  For the first half of Day One, Brown will give an overview of AMACO’s glaze families through a guided presentation and demos on reading glaze labels, layering effects, and application. Students will glaze their bisque-fired tiles using a wide selection of AMACO samples—many of which will remain in the studio for continued exploration on Day Two. Cory will teach during the morning of Day One, and Studio Techs will assist students and conduct the second firing on Day Two. All levels are welcome.

Cory Brown is a ceramic artist based in New York City. Committed to his career in ceramics from an early age, Cory refined his craft through artist residencies, ceramics tech roles, and a formative teaching opportunity in India. After earning an MFA from Alfred University, Cory has worked full-time developing new glazes for AMACO. He maintains a healthy art-making practice focused on experimental ceramics. His recent work with glaze foam explores a collaboration with the unpredictable nature of ceramic phenomena, embracing beautiful chaos.

Fee: $235 (Course Fee: $170 + Lab Fee: $25 + Non-Refundable Registration Fee: $40)

Some throwing experience useful

Among the many amazing facets of clay is that you can make tools with it. That’s one of the exciting techniques you’ll learn during this 3-day intensive. We’ll make 4 different kinds of clay stamps and then learn how to use them to create dynamic surfaces that are unique to your own ‘voice.’ We’ll also work on different styles of handles and do some fancy glazing. You’ll leave with stamps, glazed pots, bisqued pots and an interesting new approach.

A long-time potter in Pennsylvania, Rich Farrow received a BS degree in Mathematics from Moravian, and his MA in Mathematics from Villanova University. He was a journeyman carpenter for ten years and an analyst mathematician for thirty-four years before pursuing a nearly life-long passion for making pots.

Fee: $425 (Course Fee: $330 + Lab Fee: $55 [includes first bag of clay] + Non-refundable Registration Fee: $40)

Some throwing experience needed

“I love making functional pottery for daily use, every aspect of the process is an opportunity to dig deep. I believe pots can be a powerful conduit for human connection, convey a sense of comfort, curiosity, and play. My choice of clay and glaze are hyper-intentional. The arrangement of slip/glaze, idiosyncratic marks, leaf motifs, horizon lines, circles, and grids represent my interest in seeing the world through a filtered lens, allowing my taste and experiences to bleed into my work. This approach helps to shift perceptions about what pottery can be; a profoundly soulful way to build relationships through a simple pot”.

Doug Peltzman was born in New York City and raised on Long Island. Having a voracious appetite for risk, being a skateboarder and artist, Peltzman has been making pots since 2003 and painting and drawing his entire life. After graduating with his MFA from Penn State, he established a pottery studio in Shokan, NY. He has taught workshops throughout the country, was a founding member of Objective Clay (2012-2021), and is one of the principal creators of the successful Hudson Valley Pottery Tour. Doug is a dedicated husband, full-time studio potter, and father of three superbly talented and cheerful children.

Fee: $660 (Course Fee: $550 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

All levels welcome

Using some of my hand-building templates as a starting point, students will learn how to design and create their own templates while transforming flat clay slabs into functional pottery forms. This class focuses on form development, template-making, surface texture, and thoughtful assembly/alteration techniques. Students will gain practical strategies for translating ideas into repeatable forms, strengthening problem-solving skills, and building confidence in slab construction.

Jen Allen is a studio potter, educator, and mother based in Morgantown, West Virginia. When she's not creating pottery, teaching, or designing templates, you’ll likely find her in the woods with her pup Margot, or at the hockey rink, cheering on her kids' teams.

Fee: $650 (Course Fee: $550 + Lab Fee: $60 [first bag of clay included] + Non-Refundable Registration Fee: $40)