Skill Level: Beginner to Advanced

This workshop will cover everything you want to know about painting outdoors, and more! This two day workshop will bring participants outside with their paint of choice, geared up, and ready to work. We'll cover finding subjects, tracking light, and all the considerations you need to keep in mind when bringing your studio outside. This popular workshop is a unique opportunity to learn ways of delving more deeply into the complexities of garden and nature to create vibrant memories of summertime once the December snows arrive.

Daniel Lloyd-Miller is a painter concerned with place and working from observation. He carefully chooses places to paint in order to harmonize with and better understand them. This act of delving into and absorbing a special place promotes an intensity of experience. He's currently exploring motifs of ‘visibility’ in addition to acute life-paintings of people on the train and other vignettes. Originally from Vermont, Daniel received his BFA degree from Mass Art, and his MFA from the School of the Art Institute of Chicago. He has worked in Japan and France and has exhibited in multiple solo and group shows. Currently, Lloyd-Miller teaches painting at the School of the Art Institute of Chicago.

Course Fee: $200 + $50 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

Gel plate printing, a user friendly, kitchen table compatible printmaking technique with NO need for a press is applicable to painters, printmakers, ceramic artists, journal keepers, etc. Once the basics of Gel Plate printing are learned, it lends itself to both home, studio and travel purposes with ease and practicality. Fun and open to experimentation and improvisation - this is a method where artists with any experience level can discover new motifs and approaches for their art practice - and make beautiful, finished prints. There will be many demos including an “invisible” collage technique where your vibrant colorful prints can become raw material for larger works on paper. We will use slow drying Golden’s Open Acrylics mostly printed onto mulberry paper.

Holly Hughes is an artist with her own shorthand, developed to describe both nature and the human-made visual world surrounding us. Hughes, Professor Emerita of Painting at the Rhode Island School of Design (RISD), works in various mediums - always in conversation with one another. Processed by an imagination raised on Disney, the pictures exude both humor and inspiration from modern culture and the decorative arts. Codes for the idyllic and pastoral slam against a play of repossessed abstract language, with sources ranging from painting history through heraldry to domestic linens. Her practice ranges across painting, works on paper, printmaking, and ceramics. Hughes’ work can be found in many corporate, public, and private collections including Citibank, Pepsico, Prudential Bache, Pfizer Collection, Benziger Imagery Collection, Davis Museum, Dorsky Museum, and Museum of Rhode Island School of Design.

Course Fee: $300 + $40 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

In this exciting workshop students will learn techniques in watercolor, drawing and collage as they draw inspiration from the beautiful Catskill Mountains landscape. Still life rendering within natural spaces (weather permitting) will be explored so that detailing is learned. There will lots of individual attention so that each artist can apply what they’ve learned to their own unique approach. Subjects include observation of the landscape, still life and figure. Subject matter and projects are flexible and open to each artist’s unique interests and needs. Techniques taught in class will include Plein Air Painting, Watercolor Collage, Wet-in-Wet methods, Masking, Texture making and Layering to create a range of painterly abstract and realistic effects in watercolor on paper. All abilities are welcome.

Hilary Doyle is an artist from Worcester, Massachusetts. Recent solo shows include “Probably a Goddess” at Dinner Gallery in New York City, and “On The Way to the Garden” at Taymour Grahne in London. She has exhibited at Mindy Solomon Gallery, Hesse Flatow, and Monya Rowe Gallery. Her most recent exhibition being a two-person show at Galerie LJ in Paris in 2024, Doyle has received press coverage in Two Coats of Paint, Hyperallergic, Bushwick Daily, and New American Paintings Blog. She has taught at Rhode Island School of Design, Brown University, and SUNY Purchase College. She co-founded NYC Crit Club. Doyle was recently co-director at Transmitter Gallery and curates shows independently. Doyle received a MFA from Rhode Island School of Design and BFA from the Massachusetts College of Art and Design. Currently, Doyle teaches at the College of the Holy Cross.

Course Fee: $400 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

Incorporating diverse materials and mediums, this workshop encourages play, curiosity and boundary-pushing. Students will create cyanotypes using photographic negatives and specimens found in Nature and be taught how to modify their natural blue tones. The class will work with various papers and fabric and learn different mounting and finishing techniques. The integration of water-based paints and collage will be explored, as well as sculptural considerations for wood panels that can support the work. Simple wood-working techniques using manual and rotary tools will be introduced. Come join us while we learn and work with this beautiful process in the fabled Catskill Mountains!

Annalise Neil lives and works in La Mesa, California. With a BFA in Printmaking from the College of Saint Rose, and a minor in Art History (summa cum laude), she has completed residencies at Playa Summer Lake in Oregon, with Mira Schor through the New York City Crit Club, and an artist residency in Motherhood. Her work has been exhibited nationally at galleries and museums including Field Projects, NYC, The Irvine Fine Arts Center, and The Oceanside Museum of Art. Neil’s work has been featured in publications such as ArtMaze Mag, Colossal, The On Being Project, Emergence Magazine, All She Makes, Resurgence, Ecologist Magazine, and New Visionary Magazine. Her work resides in public and private collections across the U.S., Europe, and Asia.

Course Fee: $400 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

Discovering Your Creativity is a hands-on workshop in which students dive straight into creating acrylic paintings from initial concepts to a finished piece. Attendees will learn basic painting techniques and will be encouraged to draw upon learned life experiences, new ideas and underlying inspiration. This always dynamic workshop will give the student new insights as to how to take risks, learn from experimentation, and make artistic expression a fulfilling life-long endeavor. The fun is always electric in this very popular workshop at the foot of legendary Thomas Cole Mountain.

Kárin Lowney-Seed is a professional artist and designer whose work demonstrates a bold, confident and colorful painting style. Lowney-Seed’s prolific career has spanned the fine arts and design worlds. Featured as a popular guest artist at The Sugar Maples Center for Creative Arts, Kárin takes personal pride in elevating her student’s artistic talents by sharing her deep knowledge of technique, color and space. She holds an MFA and BA from The School of the Art Institute of Chicago. Karin currently makes her home and studio in New Jersey.

Course Fee: $400 + $50 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

Renowned painter Thomas Cole was in awe of the beauty of the Catskill Mountains and created some of the most iconic landscape paintings in our country's history. In this workshop, our instructor, a Cole expert, will guide students through his images and methods as well as his journal entries, poems and essays. Students will then create paintings that stem from their own passions and responses. We will explore our magnificent mountain landscape, pause for Cole quotes and imagery, and capture the parts of nature that most excite, using both sketching and photography. Back at the studio we’ll create compositions on canvas using a method that Cole used: tracing. After a demonstration and exercise about color, we will begin painting onto the prepared canvas. Our goal will be to empower students to express the story and beauty that is inside them.

Elizabeth (Betsy) Jacks was the Director of the Thomas Cole National Historic Site in Catskill, New York, from 2003 to 2024, and previously worked at the Whitney Museum of American Art. Her paintings have been exhibited in New York City and in the Hudson Valley, and her written work has been published by both academic and commercial Presses. Betsy is featured regularly in documentary films and radio programs and recently hosted a 10-part series by NPR on Thomas Cole, the foremost landscape painter of the 19th-century and founder of the art movement known as the Hudson River School. Jacks has Degrees in both Studio Art and Art History from Duke University.

Course Fee: $300 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

This introductory course will provide students with the basic principles and techniques when working with Oil Paint. Students will be introduced to paint-handling and application techniques, color mixing, composition, and different methods for developing a representational painting. Using an exciting direct method of applying paint, and the indirect method of monochromatic underpainting prior to color application, participants will learn how to construct a dynamic image. Favorite photographs will be used to learn fundamentals of observation and alla prima landscape painting. Throughout this enjoyable workshop, emphasis will be placed on lots of individual support. All levels are welcome to come learn from this always popular Instructor.

Nathan Loda is an American realist oil painter. Nathan received an MFA from George Mason University in 2015 and a BFA in painting from Shepherd University in Shepherdstown, West Virginia in 2011. His work is playful yet painstakingly detailed and steeped in American history and landscape painting from observation and imagination. Loda’s current work explores the mystery and magic of landscape as homage to art history and the Hudson River School of painters. Recently, Nathan and his young family spent a semester in Italy where he taught for the University of Georgia’s Cortona Studies Abroad Program.

Course Fee: $300 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

I say, “ALPHABET  SOUP!” You might think, “I ate that just yesterday.” This is important because fonts rule our world now. In the good old days, fonts were the realm of specialists. With computers, we cross paths with endless riffs on fonts. If you’re interested in this weird artistic science of aesthetic living, writing to your grandchildren or whoever, letters can be drawn in many ways. And in this case…YOUR WAY. Cyrus Highsmith’s approach is based on the importance of white space and sensitivity to shapes. It’s a method he applies to type design as well as image-making of all kinds. For Highsmith, it’s a way of seeing the world. This workshop will be a messy, hands-on, and computer-free exploration of us; drawing, making, and thinking about letters. Students will explore techniques involving stencils, mono-printing, and making their own drawing tools. We will venture to say, if you’re an artist working in ANY medium, this workshop in the beautiful Catskills is for you.

Cyrus Highsmith is a letter drawer, teacher, author, and graphic artist. He teaches type design at Rhode Island School of Design (RISD). He wrote and illustrated the acclaimed primer, “Inside Paragraphs: Typographic Fundamentals.” In 2015, he received the Gerrit Noordzij Prize by the Royal Academy of Art; the Hague, for extraordinary contributions to the fields of type design, typography, and type education. Highsmith’s inventions in typeface design extend to Ford Corporation, Martha Stewart Living, the Wall Street Journal, Men’s Health, Star Wars, and many others. One of Cyrus’ most well-known typefaces are Zocalo, used by the Mexican daily El Universal and the Antenna Series. In 2017, he became Creative Director for Latin Type Development at Morisawa USA.

Course Fee: $300 + $30 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

A one day workshop covering all you could want to learn about color, and then a little bit more. No matter where your interests in color lie, this workshop will be an in-depth exploration of this essential element of the creative arts. The workshop will cover what color is and how we use it. Its glorious history and function will be the subject of lecture, demonstration, and hands-on workshopping. While this is a painting focused workshop, the underlying principles color are transferable to other mediums. Come join the fun in this place of bountiful summer color.

Daniel Lloyd-Miller is a painter concerned with place and working from observation. He carefully chooses places to paint in order to harmonize and better understand them. This act of delving into and absorbing a particular place promotes an intensity of experience. He's currently exploring motifs of ‘visibility’ in addition to acute life-paintings of people on the train and other vignettes. Originally from Vermont, Daniel received his BFA degree from Mass Art, and his MFA from the School of the Art Institute of Chicago. He has worked in Japan and France and has exhibited in multiple solo and group shows. Currently, Lloyd-Miller teaches painting at the School of the Art Institute of Chicago.

Course Fee: $100 + $30 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner To Advanced

This workshop is an exploration of color using natural dyes and pigments. Participants will create color from raw materials such as cochineal, malachite, clay, oak gall, and black walnuts, for use in a diverse group of water-based binders, from gum arabic to distemper to egg tempera. We will explore the potentials of color, and how materials carry content through history, context, physical and aesthetic properties. Considerations of the environmental impact of materials will offer a framework for maintaining a sustainable safe painting practice. Participants will create a set of handmade watercolor paints, a color swatch book, and exploratory paintings on paper, textile, and panel.

Patricia Miranda is an artist, curator, educator, and founder of “The Lace Archive,” “The Crit Lab,” and “MAPSpace.” Grants include the Ruth and Harold Chenven Foundation, Northern Manhattan Arts Alliance, Arts Westchester, Anonymous Was a Woman Relief Grant, and a NEA grant working with homeless youth. Solo exhibitions include Olin Fine Art Center, 3S Artspace, Jane Street Art Center, and group exhibitions Spartanburg Art Museum, Dunedin Fine Art Center; Lyman Allyn Museum. Recent reviews include Art New England and Brooklyn Rail.

Course Fee: $400 + $50 Lab Fee + $40 Non-Refundable Registration Fee