Some throwing experience needed
In this workshop we’ll cultivate slow throwing, Jess’s boundary-pushing techniques for building large scale volumes on the wheel. We’ll throw, coil, and continue throwing, moving back and forth within the space between the wheel, handwork, and altered forms to grow the scale of our vessels and diverse approaches to our work. By abandoning traditional boundaries between throwing and hand building, function and sculpture, decoration and necessity, we’ll embrace the territories between and beyond categories and what we believe is possible.
Jess Thompson is an artist, teacher, and mother. She co-directs Cider Creek Collective, a ceramic arts residency near Mendocino, CA, with her husband, potter Nick Schwartz. They focus on building connections to the land through natural local materials, wood firing, and strong community. Jess’s upbringing in a family of midwestern industrial ceramicists and two decades among back-to-the-landers in Northern California have fostered belief in the radical integrity of handwork and carrying old skills forward amidst a technocratic world order.
Fee: $660 (Course Fee: $550 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)